そこはクマと人間が仲良く暮らす世界。子グマのベアリーは人間のバリントン家で大切に育てられ、何不自由ない生活を送っていた。自分を人間だと思い込んでいるベアリーだったが、他の家族に似ていないことを不思議に思っていた。そんなある日、11歳になったベアリーはとうとう兄デックスから自分が養子だと知らされ、ショックで家出してしまう。そしてベアリーが行き着いた先は、解散してしまった憧れのバンド“カントリー・ベアーズ”を生んだカントリー・ベア・ホール。ベアリーは今にも取り壊されようとしているこのホールを救うため、ある行動に出る。
AIが作品の魅力を深く読み解いています
製作費: $35,000,000 (53億円)
興行収入: $18,012,097 (27億円)
推定収支: $-16,987,903 (-25億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Peter Hastings
脚本: Mark Perez
制作: Jeffrey Chernov / アンドリュー・ガン
撮影監督: Mitchell Amundsen
制作会社: Walt Disney Pictures
Wow, that was an excruciating watch. From literally the first few seconds you know where <em>'The Country Bears'</em> is going, both with the plot but also with the concept of the bears themselves. That's if you didn't already guess from the poster. As always I try to find the positive parts: ... ... Yeah. If I was forced to pick something, it would be one or two of the songs which are not horrid; there's also a notable cameo from an English musician, I guess that's one? As you can tell, it's not good at all. On the contrary, where to start with the negatives?! The bears. Having people in costumes is always a bad idea, it cheapens everything else around it. They have little or no emotion, so it's impossible to feel attached to the characters. The dub-like audio for them, and other parts of film, is very poor. No-one stands out in the cast, with the exception of Christopher Walken (Reed) - but that's only because of Walken's fame, not his role in this. The premise is so predictable and lazy, they don't even attempt to throw you off the scent - instead trying to force a heartwarming story, which doesn't land whatsoever. I, no matter what, always feel 1* is harsh, but this deserves it. Of the 1,106 films I've currently seen, this is just the fifth time a film has scored this low with me. Truly dreadful.
