ストリートギャングに命を狙われている男が引越し作業中の警察署に逃げ込んできた。武装した追っ手はあっという間に建物を包囲。人員や武器弾薬もわずかな警察署は外部との通信手段も遮断され、孤立無援状態に。警部補のイーサンは獄中の犯罪者ナポレオンと組み、署内に立てこもって敵と戦うが……。ジョン・カーペンター監督が敬愛するハワード・ホークスの「リオ・ブラボー」をもとに作り上げたアクション・スリラー。
製作費: $150,000 (0億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
Awesome film one of my all time favorite movies Plus (Great soundtrack)
There are no heroes anymore, Bishop. Just men who follow orders. Assault on Precinct 13 is written, directed, edited and musically scored by John Carpenter. It stars Austin Stoker, Darwin Joston, Laurie Zimmer, Martin West, Tony Burton, Charles Cyphers and Nancy Kyes. Cinematography is by Douglas Knapp. If you are going to homage films that you love, or ones that influence you, then you have to get it right. Something John Carpenter most assuredly did with this, his first masterpiece. Plot and structure of film are simplicity extreme, but it's the execution that matters here, the cool veneer of the hero characters, the frightening relentlessness of the gang members who assault the soon to close down police station and the small number of inhabitants within. Interestingly it's actually Precinct 9, Division 13, but Carpenter was no doubt in a playful mood. Carpenter builds the first half slowly, introducing key characters whilst deftly staging the events that will lead to the actual siege itself. This part of Los Angeles where the story is set is conspicuous by how empty and soulless it seems, even in daylight, which is where the terror actually begins. It's as if residents and locals just prefer to be off the streets at any time of day or night. The gang, like the folk inside the station, are multiracial, but unlike those inside the gang never speak. They move like silent assassins, no shouting or cussing, just a tidal wave of death, their guns adorned with silencers, which leads to a truly brilliant extended sequence as the gang begin to destroy the building silently! Meanwhile relationships are being formed by those under duress, convicts and police forced to battle side by side in the slightest hope of surviving the night. There is no flab on show here, no pointless dialogue or scenes which could have been cut, it's a film that is very much to the point. The cast respond well to Carpenter's requirements, be it emotionally, physically or coolly, all while Carpenter's low tone synthesiser plays out its memorably eerie beats. It's a superb lesson in low budget film making from one of the masters of that art. His filmic star may have waned in his later life, but for a time in the 70s and 80s he shone bright, Assault On Precinct 13 was the ignition. 10/10
