FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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★ 7.2アニメーションコメディKids

あらすじ

No synopsis available.

作品考察・見どころ

テリー・ギリアム監督が放つ、摩天楼の影に潜む現代の聖杯伝説。ジェフ・ブリッジスが体現する虚無的な凋落と、ロビン・ウィリアムズが魅せる狂気と表裏一体の純粋さが火花を散らす様は圧巻です。トラウマを具現化した「赤い騎士」の幻想的な演出は、単なる映像美を超え、魂の叫びとして観る者の心象風景に深く突き刺さります。 本作の真髄は、他者の傷に寄り添うことで自らも救われるという「赦し」の力にあります。都会の孤独を抱えながらも、不器用な愛で光を見出そうとする彼らの姿は、冷笑に満ちた現代社会への熱いアンチテーゼです。虚構と現実の境界を越え、失われた人間性を奪還しようとするその情熱に、私たちは涙せずにはいられません。

スタッフ・制作会社

音楽: ガイ・ムーン

制作会社: Hanna-Barbera Cartoons

口コミ

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キャスト

Michael Dorn
Michael Dorn
I.M. Weasel (voice)
Charlie Adler
Charlie Adler
I.R. Baboon / Red Guy (voices)
Candi Milo
Candi Milo
Teacher
トム・ケニー
トム・ケニー
ディー・ブラッドリー・ベイカー
ディー・ブラッドリー・ベイカー
Dad
No Image
Howard J. Morris
Flem

TMDB ユーザーのレビュー

GenerationofSwine
GenerationofSwine
★ 10

My dad and I had this thing we did where we went to see a movie or rented a movie from the time before I could remember to, well, almost until the day he passed away. There was always time to catch a movie, an it's a bit easier because it isn't as weather dependent as playing catch is. My dad took me to see this when I was a kid, and I absolutely hated it, I thought it was a horrible movie. And then, I watched it again when I was in high school and I absolutely loved it. Thought it was an amazing film. And then I showed it to my wife, who pointed out that I was only 11 when dad took me to see it. And now I can see how my attitude about this totally changed. It is really the story about the Fisher King isn't it? At least it's a grail quest to restore the health to someone who kind of acts like a charitable king with the worst Percival character known to mankind. And, I don't mean to cast shade on Jeff Bridges by that. He played a great role, the... well... I can't think of a polite word for his character. But we all know people a little like him don't we? He's a bit stereotyped of that friend that you also kind of hate, but he pulls it off absolutely brilliantly. He's just, you know, not the pure Godly Percival that we know from the legends. But then again, Williams isn't exactly the same dignified wounded king is he? He kind of comes across as a bit of a Leprechaun in this, and he is the most redeemed of any character in Arthurian Legends. He kind of out Percivals Percival in this... .... but who cares? It's Terry Gilliam redoing the Fisher King, once more tackling a Grail Quest and it is all brought to you in a way that only Terry Gilliam can bring it to you... ... OK, yeah, it's Gilliam, so it could be a bit of a bias review. At any rate, so long as you're not watching this in the theater with your dad when you are 11 you're going to enjoy the heck out of this film. And even if your dad does make you watch it when you are 11, give it a few years, watch it again, and I promise the second time around you will enjoy the heck out of it.

CinemaSerf
CinemaSerf
★ 7

"Jack Lucas" (Jeff Bridges) is one of those late night radio presenters who loves the sound of his own voice and who enjoys nothing better than to put down, disdainfully, the collection of sad individuals who phone in with their problems. It's one of his casual off-the-cuff remarks that leads to a tragedy and a spiral that sends him into some serious doldrums. Things change for ever one night when he finds himself on the wrong end of a beating and then rescued by an eccentric looking fellow called "Parry" (Robin Williams). This is an erudite and complicated man who is obsessed with the "Fisher King" legend of the Holy Grail. Upon further investigation, "Lucas" learns more of the tragic cause of his new friend's predicament and as much as for his own salvation as for that of "Parry", he embarks on a task to find him meaning again. To that end he introduces him to the shy "Lydia" (Amanda Plummer) in the hope that this might help him find a new reason to live again. Things come full circle when "Parry" himself becomes a victim of the thugs and "Lucas" must strive to fulfil the quest and save something of both men. Whilst all of this chaos is bubbling away, it's down to "Anna" (Mercedes Ruehl) who is the former broadcaster's long-suffering girlfriend, to carefully tread on the eggshells of her relationship with him whilst quite temperamentally (and engagingly) trying to make sure she keeps him on as straight and narrow a path as possible. This is one of Bridges' better and more natural efforts and he works well with what I thought was an over-the-top performance from Williams to provide a film that is at times funny and at times quite poignant. The underlying mythology is quite effective at providing a modern day conduit for an ancient story of a hunt for the perfect in all of us and though it does take it's time, Bridges keeps it going.

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