FindKey

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Orazi e Curiazi
Orazi e Curiazi

Orazi e Curiazi

19611h 26m★ 5.3アドベンチャー履歴

あらすじ

No synopsis available.

作品考察・見どころ

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スタッフ・制作会社

監督: Terence Young / Ferdinando Baldi

脚本: Carlo Lizzani / Giuliano Montaldo / Ennio De Concini

音楽: Angelo Francesco Lavagnino

制作: Angelo Ferrara / Domenico Fazzari

撮影監督: Amerigo Gengarelli

制作会社: Lux Film / Tiberia Film

口コミ

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キャスト

Alan Ladd
Alan Ladd
Horatius
Franca Bettoia
Franca Bettoia
Marcia
Franco Fabrizi
Franco Fabrizi
Curazio
Robert Keith
Robert Keith
Tullio King of Rome
No Image
Jacqueline Derval
Horatia
Luciano Marin
Luciano Marin
Eli
Andrea Aureli
Andrea Aureli
King of Alba
Mino Doro
Mino Doro
Caius
Osvaldo Ruggieri
Osvaldo Ruggieri
Warrior of Alba
Piero Palermini
Piero Palermini
Nevio

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 5

Heaven's to Betsy! What on earth was Alan Ladd doing in this nonsense? Originally injured in battle, "Horacio" is cared for by a family of Albanos. Returning home, he is met with great suspicion - is he telling the truth, or is he a traitor? Anyway, he ends up one of three brothers charged with representing the Kingdom of Rome against their arch rivals the Kingdom of Alba. After some plotting and a fair degree of betrayal and subterfuge, the battle royal to save thousands of lives and decide the fate of Italy takes place. I'm guessing they allocated the vast majority of the budget to their star (apparently he never did get paid!) because the rest of this is really rather poor. His co-star Franca Bettoia ("Marcia") is glamorous enough, but those fluttering eyelids can only carry an actress so far. Elsewhere, there are a few scenes with an equally out-of-sorts Robert Keith and there is a distinct paucity of action. When we do get any, it is colourful and grand enough, but choreographed to within an inch of it's life. There is history behind the plot - the Orazi and the Curiazi did, reputedly, fight a duel with the spoils going to the victor's kingdom, but sadly this depiction of such a valiant and exciting event falls well short. It just goes to show that drafting in a big star can actually make a jobbing, workmanlike effort much worse than had it just been the usual Lex Barker or Steve Reeves type of affair.

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