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Bulldog Drummond Strikes Back
Bulldog Drummond Strikes Back

Bulldog Drummond Strikes Back

19341h 23m★ 5.3アクションアドベンチャー謎

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Roy Del Ruth

脚本: Nunnally Johnson / Herman C. McNeile / Henry Lehrman

音楽: Alfred Newman

制作: Darryl F. Zanuck

撮影監督: J. Peverell Marley

制作会社: 20th Century Pictures

口コミ

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キャスト

Ronald Colman
Ronald Colman
Captain Hugh 'Bulldog' Drummond
Loretta Young
Loretta Young
Lola Field
Warner Oland
Warner Oland
Prince Achmed
Charles Butterworth
Charles Butterworth
Algy Longworth / Mousey
Una Merkel
Una Merkel
Gwen
C. Aubrey Smith
C. Aubrey Smith
Reginald Neilsen
Arthur Hohl
Arthur Hohl
Dr. Sothern
Kathleen Burke
Kathleen Burke
Jane Sothern
George Regas
George Regas
Singh
Ethel Griffies
Ethel Griffies
Mrs. Field

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

I've got to say that C. Aubrey Smith ("Col. Nielsen") steals this for me as the Scotland Yard bigwig who is constantly being harassed by private eye “Drummond” (Ronald Colman] - he has the cantankerous old codger down to a tee! Why is he being harassed? Well that's because “Drummond”, on his way home from the wedding reception of loyal sidekick "Algy" (Charles Butterworth) fleetingly bumps into "Lola" (Loretta Young). Then he gets lost in the thick London fog before seeking a bit of shelter in a grand house on Rodney Square - only to find the door open and a body on the couch... He races to find a bobby, but when they return to the house find it occupied by the charming "Prince Achmed" (Warner Oland). Then he bumps into "Lola" again and a mystery is well and truly afoot... The plot is a bit procedural - but Colman and Young usually bonded well together, and they do again in this daft crime caper. The script is frequently quite witty, if not exactly laugh out loud, there are some good supporting efforts from Oland and the poor old Butterworth who is just trying to celebrate his wedding night - and, the aforementioned Smith who looks as if he is about to blow a gasket much of the time. The photography captures the gloomy London scenario well and Roy del Ruth keeps it moving along a-pace too.

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