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Laughter
Laughter

Laughter

19301h 25m★ 4.7ロマンスコメディ

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Harry d'Abbadie d'Arrast

脚本: Donald Ogden Stewart / Harry d'Abbadie d'Arrast / Douglas Z. Doty

音楽: Vernon Duke

制作: Monta Bell

撮影監督: George J. Folsey

制作会社: Paramount Pictures

口コミ

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キャスト

Nancy Carroll
Nancy Carroll
Peggy Gibson
Fredric March
Fredric March
Paul Lockridge
Frank Morgan
Frank Morgan
C. Mortimer Gibson
Glenn Anders
Glenn Anders
Ralph Le Sainte
Diane Ellis
Diane Ellis
Marjorie Gibson
No Image
Ollie Burgoyne
Pearl, Peggy's Maid
Leonard Carey
Leonard Carey
Benham, Gibson's Butler
Eric Blore
Eric Blore
Party Guest in Angel Costume (Uncredited)
Charles Halton
Charles Halton
Winslow, Gibson's Secretary (Uncredited)
No Image
Duncan Penwarden
Mr. Miller (Uncredited)

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

Harry D'Abbadie d'Arrast doesn't hang about with this tale of rags to riches that has loads of emotional baggage thrown in for good measure. "Peggy" (Nancy Carroll) is let down by her true love and takes the easy option by marrying the dull and staid millionaire "Gibson" (Frank Morgan) who guarantees her an easy, if uninteresting life. She's too restless a spirit for all of that, and although she resists the advances of the boyish and unstable sculptor "Ralph" (Glenn Anders) she is ready to jump ship when the carefree "Lockridge" (Fredric March) re-emerges into her life with a plan for her to escape her silk-clad drudgery and head for la Vie Parisienne - via some high jinx and a bit of burglary. Tempted, her life is thrown into turmoil by the daughter of her husband, "Marjorie" (Diane Ellis) who has a few designs of her own! This tries hard to straddle a few genres here, and whilst the dramatic aspects work well enough, the comedic ones prove a little beyond everyone to convincingly pull off. As the story progresses, even the usually reliable Morgan looks a little uncomfortable with the increasingly contrived nature of the plot within a plot within a plot. Also, by the end I'd rather concluded that "Peggy" was no great shakes as an human being either. The production could fairly be described as embryonic and the photography seemed framed at times as if to allow the actors to read cue cards off-set the cameras - that looked a bit squinty. Still, it's all quite light-hearted and enjoyably enough paced to pass ninety minutes effortlessly.

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