

Serena
あらすじ
No synopsis available.
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $30,000,000 (45億円)
興行収入: $5,092,129 (8億円)
推定収支: $-24,907,871 (-37億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。


No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $30,000,000 (45億円)
興行収入: $5,092,129 (8億円)
推定収支: $-24,907,871 (-37億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Susanne Bier
脚本: Christopher Kyle / Ron Rash
音楽: Johan Söderqvist
制作: Susanne Bier / Ben Cosgrove / Ron Halpern
撮影監督: Morten Søborg
制作会社: Chockstone Pictures / 2929 Productions / Nick Wechsler Productions
**_Tragic tale of a timber baron and his new wife in North Carolina, 1929-1930_** As The Depression sets-in, Pemberton (Bradley Cooper) brings his wife to his logging ranch in the Smokey Mountains (Jennifer Lawrence) and she has no problem proving her mettle with the guys. She settles in, but treachery soon manifests. Shot in the spring of 2012, "Serena” wasn’t released until 2.5 years later in 2014-2015. It was inspired by the 2008 novel, but is different enough that the two have to be viewed as separate entities in order to appreciate the movie. Here, Serena is mentally unstable and vulnerable underneath her surface strengths whilst, in the book, she is strong and in control until the very last line. She often wears dresses and looks glammed-up whereas the novel makes it a point that she dresses like a man, always wearing trousers. Moreover, Pemberton is much nicer here. There are several other changes as well. As such, I’m reviewing this as a stand-alone story. It’s great for the first half with top-of-the-line locations and cinematography, as well as a compelling enough drama with occasional thrills, including crimes and corruption. It goes without saying that the period piece costumes and sets are superb. At the halfway point, however, it bogs down, turning melancholy and, then, relentlessly downbeat for the final act. Think “Revolutionary Road.” So, I understand the low ratings, but there’s still a lot of gems to mine from the heart-rending proceedings. For instance, the movie stresses the expectations of wedlock, such as total faithfulness and the sense of betrayal when one is (inevitably) let down. Furthermore, with a husband and wife, it’s assumed that an heir is forthcoming and, if that fails to manifest, it can change everything, real or imagined. Think of Hannah’s situation in the opening chapter of 1 Samuel. Lastly, Rhys Ifans’ Galloway is a fascinating character, a sigma male with mystical trappings and a whiff of danger. Too bad there wasn’t enough time to flesh him out more. It runs 1 hour, 49 minutes, and was shot in the Czech Republic at Barrandov Studios, Prague, with establishing shots done at Great Smoky Mountains National Park in North Carolina. GRADE: B-