“むなしい祈りと知りつゝ、すべてを与え尽くす真実の愛!”
ジュールとジムは、情熱的で奔放な女性カトリーヌに恋をする。ジムへの想いを胸に秘めたままジュールと結婚した彼女だが、ジムとの再会で再び二人に愛の炎が燃え上がる。しかし、小さな食い違いでジムは彼女から離れていく。ある日出かけた河岸で、カトリーヌはジムをドライブに誘い、壊れた橋に向かってスピードを上げた。 三角関係の心理を見事に描いた本作は、ジャンヌ・モローの輝くばかりの美しさが圧倒的な魅力となった一遍。
AIが作品の魅力を深く読み解いています
Jeanne Moreau is superb here with her portrayal of "Catherine", a rather selfish and erratic woman who manipulates two men - "Julius/Jules" (Oskar Werner) and "Jim" (Henri Serre). Sometimes married to one, but in love with them both - or with neither, or maybe even not with herself - Truffaut juggles these three balls terrifically well. The pace changes frequently - hectic then glacial; the dialogue is sparing - especially from "Jim", and the style of the film evolves effortlessly with a narrative that starts before WWI and continues long after. The photography is frequently intimate and potent and we are invited to follow these flawed individuals as they age pretty gracelessly trying to find some solution to their predicament - who gets the girl; who does the girl want; what does the girl want? As ever with this director, there is humour and glamour - and if you get an opportunity, try and see it on a big screen to immerse yourself in the detail of this quality production. It sags a little in the third quarter and I have to say that I didn't much like any of their characters - but otherwise an entertaining look at life when the norms don't apply - and well worth a watch.
