FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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最前線物語
最前線物語

最前線物語

19801h 53m★ 6.7ドラマ戦争
HBO Max on U-Next

あらすじ

第一次大戦が終わり、生き残った一人の軍曹。彼は1942年、第二次大戦においてグリフら4人の若い兵士を含む狙撃兵分隊を指揮していた。非情な戦場におののく新兵たちに、“殺人ではなく、ただ殺すだけ”といった教えを諭し、戦場で生き残ることの意義を伝えていく軍曹。するとグリフたち4人は、北アフリカ戦線からシシリー島、そしてノルマンディー上陸作戦と戦地を渡り歩く中で不思議と生き残り、それぞれひとりの人間としても成長していく…。

作品考察・見どころ

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興行成績

製作費: $4,500,000 (7億円)

興行収入: $7,206,220 (11億円)

推定収支: $2,706,220 (4億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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配信サービス

サブスクリプション

HBO Max on U-Next

レンタル・購入

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Apple TV Store
FOD

キャスト

Lee Marvin
Lee Marvin
The Sergeant
マーク・ハミル
マーク・ハミル
Griff
ロバート・キャラダイン
ロバート・キャラダイン
Zab
Bobby Di Cicco
Bobby Di Cicco
Vinci
Kelly Ward
Kelly Ward
Johnson
Stéphane Audran
Stéphane Audran
Walloon
Siegfried Rauch
Siegfried Rauch
Schroeder
Serge Marquand
Serge Marquand
Rensonnet
Charles Macaulay
Charles Macaulay
General / Captain
Alain Doutey
Alain Doutey
Broban

スタッフ・制作会社

監督: Samuel Fuller

脚本: Samuel Fuller

音楽: Dana Kaproff

制作: Gene Corman

撮影監督: Adam Greenberg

制作会社: Lorimar Motion Pictures

TMDB ユーザーのレビュー

Wuchak
Wuchak
★ 7

**_Sam Fuller’s WW2 tour of North Africa, Sicily and France-to-Czechoslovakia_** Shot in the summer of 1978, this was inspired by Fuller’s experiences in the war with Robert Carradine as Private Zab representing him. It’s a lot to cram into less than 2 hours, and this explains the criticisms that the film comes across as a collection of incidents with little character development. Yet Fuller wanted to include the highlights of his 2.5 years in the war and this delivers as far as that goes. Some say it’s a commentary on how war is an ongoing circle of Hell. The problem with this interpretation is that the war does end when the characters wind up at a concentration camp in Sokolov, which is located a dozen miles from the border of eastern Germany in what is today the Czech Republic. I like the way it focuses on the five protagonists (led by Lee Marvin) with everything happening from their limited point of view. Isn’t that precisely the way it is for foot soldiers in combat? A good example is their landing in Normandy where you don’t get a sense of the mammoth operation, but rather just their costly experience in which they interestingly use a Bangalore torpedo to clear the way. Some bits are so peculiar that they just had to be pulled from real-life, such as a French woman giving birth inside a Panzer tank or the German-held monastery in Belgium being used as an insane asylum. To survive with their sanity intact, the guys develop a kind of levity amidst the life-or-death madness of it all. The four privates don’t talk of “back home” because their lives are just starting whilst the hardened veteran (Marvin) focuses on getting himself and as many of these young men through the combat so they can actually have a future. Neither the past nor the future matters in such extreme warfare, all that matters is fulfilling the current mission and, hopefully, surviving with all your appendages. The second half involves the Normandy landing and fighting through France, Belgium and Germany before making it to the deathcamp. You could say it’s the quickie version of the 11.5 hours “Band of Brothers,” which debuted over two decades later. Some criticize that the movie feels dated and plays more like a WW2 flick from the 1960s. I suppose that’s because it was initially conceived in the late ’50s. Dated or not, it influenced future war flicks, such as “Platoon,” and was the precursor to the aforementioned “Band of Brothers.” No, it’s not on the level of those great war films or others, but it gets the job done and is good enough. Think of it as Lee Marvin’s character from “The Dirty Dozen” leading a group of greenhorns through the Mediterranean and Europe. It runs 1 hour, 53 minutes, but there’s a 2005 director’s cut subtitled “The Reconstruction” that adds about 47 minutes of footage. It was shot in Israel, Ireland and the Sierra Madre Mountains northwest of Los Angeles. GRADE: B/B-

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