FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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本サービスはTMDB APIを利用していますが、TMDBによる推奨・認定を受けたものではありません。

真実の行方
真実の行方

真実の行方

19962h 10m★ 7.7犯罪ドラマ謎スリラー
U-NEXT

あらすじ

大司教惨殺事件の容疑者として逮捕された青年アーロン。精神分析の結果、彼は二重人格者であることが判明し、公判は意外な方向へと動き始める……。リチャード・ギア主演のサスペンス・ミステリー。

作品考察・見どころ

AIが作品の魅力を深く読み解いています

興行成績

製作費: $30,000,000 (45億円)

興行収入: $102,616,183 (154億円)

推定収支: $72,616,183 (109億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

あなたの評価を記録する

予告・トレイラー

配信サービス

サブスクリプション

U-NEXT

レンタル・購入

Amazon Video
Apple TV Store
Google Play Movies
FOD

特集レポート

FindKeyのエディトリアルチームがこの作品の深層や歴史を解説しています。

『ロスト・ボディ』を超越する衝撃、本格ミステリー映画おすすめ5選!隠れた傑作を厳選

FindKey Editorial2026/2/1

キャスト

リチャード・ギア
リチャード・ギア
Martin Vail
ローラ・リニー
ローラ・リニー
Janet Venable
エドワード・ノートン
エドワード・ノートン
Aaron/Roy Stampler
ジョン・マホーニー
ジョン・マホーニー
Shaughnessy
アルフレ・ウッダード
アルフレ・ウッダード
Shoat
フランシス・マクドーマンド
フランシス・マクドーマンド
Molly
テリー・オクィン
テリー・オクィン
Yancy
Andre Braugher
Andre Braugher
Goodman
Steven Bauer
Steven Bauer
Pinero
Joe Spano
Joe Spano
Stenner

スタッフ・制作会社

監督: Gregory Hoblit

脚本: William Diehl / Steve Shagan / Ann Biderman

音楽: James Newton Howard

制作: Hawk Koch / ゲイリー・ルチェッシ

撮影監督: Michael Chapman

制作会社: Paramount Pictures / Rysher Entertainment

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

I was never the greatest fan of Richard Gere, but this is certainly one of his better performances. He is cocky lawyer "Vail", adept at ensuring his criminal fraternity clients evade justice. When the shocking news that an archbishop has been savagely murdered is announced, he decides on a bit of pro-bono work to defend the young "Aaron" (Ed Norton) against the prosecuting skills of his ex-girlfriend "Janet" (Laura Linney). As the courtroom drama unfolds, though, we soon establish that there are undertones that call into question not just who did what to whom, but also the integrity of the victim and of many of his well-connected associates. The film belongs to Norton, though. As his character develops, with the assistance of probing psychologist "Molly" (Frances McDormand), we discover that there are quirks to his character that this actor delivers superbly. So much falls into place in the last ten minutes, or so, before a denouement that is both unexpected and perversely quite fitting. It is a bit too long, and takes maybe half an hour before it starts to simmer; but once the plot starts to advance in earnest, this becomes a superior crime thriller with twists, turns and strong performances throughout.

RalphRahal
RalphRahal
★ 8

Primal Fear is a masterclass in tension, turning a courtroom drama into a high-stakes thriller under Gregory Hoblit’s sharp direction. Then there’s Edward Norton, in his very first role, who makes such an impression it’s no surprise he went on to win over 15 awards including a Golden Globe for Best Supporting Actor. Playing Aaron, a timid altar boy with hidden depths. Richard Gere holds his own as the slick defense lawyer, Norton’s layered acting and the intense chemistry between them make this movie unforgettable. Primal Fear goes beyond a typical courtroom drama, serving up suspense, stellar performances, and production.

JPV852
JPV852
★ 7

Solid enough court room crime drama featuring good performances all around but especially Edward Norton in his breakout role. Loved the music and score and found myself entertained by the twisted murder. I think it could've been better but still a good film. **3.5/5**

JPV852
JPV852
★ 7

Solid enough court room crime drama featuring good performances all around but especially Edward Norton in his breakout role. Loved the music and score and found myself entertained by the twisted murder. I think it could've been better but still a good film. **3.5/5**

JPV852
JPV852
★ 7

Solid enough court room crime drama featuring good performances all around but especially Edward Norton in his breakout role. Loved the music and score and found myself entertained by the twisted murder. I think it could've been better but still a good film. **3.5/5**

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