主人公のジョージという男は、いつも何処かでツキに見放され、逆境にばかり立ち向かう運命にあった。自分のミスではなく大金を失った彼は、全てに絶望して自殺を図る。ところが、12月の冷たい河に飛び降りようとしたとき、彼より先に一人の男が身を投げて救けてくれと叫んだ。あわてて救けたジョージに、男は、自分は見習い天使だと告げるが……。
製作費: $3,180,000 (5億円)
興行収入: $9,644,124 (14億円)
推定収支: $6,464,124 (10億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
FindKeyのエディトリアルチームがこの作品の深層や歴史を解説しています。
監督: フランク・キャプラ
脚本: Philip Van Doren Stern / フランク・キャプラ / Albert Hackett
音楽: Dimitri Tiomkin
制作: フランク・キャプラ
撮影監督: Joseph F. Biroc / Joseph Walker
制作会社: Liberty Films
It's practically an American tradition to watch this film with family at Christmas time each year. I just saw it for the first time myself a couple weeks before last Christmas, and I loved it. It's an uplifting, inspiring, dramatic, and at times laugh-out-loud funny story, with a cast that probably couldn't be improved upon if you tried. And, of course, it's directed by the superb Frank Capra, whose work I greatly admire. James Stewart gives a raw, totally honest performance, as the unforgettable George Bailey, who on Christmas Eve is shown exactly why the world, or at least Bedford Falls, can't do without him. And, there is my favorite line in the whole movie, out of so many memorable quotes, delivered perfectly by Lionel Barrymore, as the evil Mr. Potter: "And a happy new year to you. In jail!"
Oh my goodness, I am not going to spend much time describing this gold standard of Christmas movies. If you have seen it, you know what it is. If you haven’t seen it, stop reading this and watch it now. It is funny, tense, sentimental, romantic and downright Capra-esque. I have liked Jimmy Stewart in everything I have seen him in. Was he that good, or did the camera just plain love him, like I heard said once about Steve McQueen. But it doesn’t stop there. If you notice the ensemble cast, you see represented some of the finest character actors out there. Between them it’s seems like we have seen one of them in every great classic movie. I don’t watch this every year any more - there is just too much to see out there this time of year. But I watch it every two or three years and besides, if I have some time to spare, I can practically review every scene in order in my mind. It is part of my Christmas consciousness. Wait, are you still reading this?
Lovely film. <em>'It’s a Wonderful Life'</em> is enjoyable, hearty and well crafted. It takes longer than I would've predicted to get to 'the event', but it's very much worth seeing the journey that comes before - as we see the arc of James Stewart's George. It all crescendos with an ending that you can't help but smile at. Stewart is excellent in the lead role, you really do see every single emotion that his character goes through. He is, by far, the standout performer, but there are of course good performances from the likes of Donna Reed (Mary), Lionel Barrymore (Henry) and Henry Travers (Clarence). I did notice a few weird cuts in there, not that I hold that against it or did it affect my enjoyment - it's just noticeable. I see, via other reviewers, that there's a colour version - Channel 4 showed the black-and-white version over here in the UK. I can't say I felt the need for colour, which is always a good sign. Wholesome. Not that it, evidently given the average rating, needs to be said by someone like me, but: I'd certainly recommend this.
Every now and again you come across a film that just makes you think.... This is one of those. Recently upconverted to 4K and back on a big screen, it's quite simply a joy to watch. Jimmy Stewart is "George" - a man who has spent his adult life tirelessly trying to help those less fortunate to make their own way in life - and his savings and loan enterprise is the lifeline for many of them. When that all goes pear-shaped though, he feels a degree of despair that leads him to wish he had never been born. Enter the wonderful Henry Travers as "Clarence" - the visiting angel who grants his wish and demonstrates just how life would have looked had he, indeed, never been around. Lionel Barrymore is superb as his domineering competitor "Mr. Potter" who wants his name on everything in "Pottertown" that he doesn't already own. Donna Reed also shines as his wife, especially towards the end of this Capra masterpiece that uses shadow and the wintry weather to elicit a lovely sense of Christmas, but also of our innate need for warmth and security. It is sentimental, but not in a cloying fashion and the star works his magic, with a wonderful accompaniment from Dimitri Tiomkin, for over two hours that simply flies by. Well worth the restoration - not just of the film, but of our own faith in the human spirit - and watch, too!
I am not one of those snobs that thinks Black and White is always better... but don't watch the colored version of it, there is something about it that just doesn't look right. Maybe it's because the colors are off, maybe because I'm not as used to it, but something doesn't sit right with it. Anyway, still the best Christmas movie ever made. It's still about redemption. It's still heartwarming and family friendly and... perfect... ... perfect save some of the hard cuts. I don't know why people don't mention those. They are pretty glaring, they are pretty horrible. But... it's still just about the best Christmas movie ever made.
