妻であり高名な写真家でもあったイザベル・リードが交通事故で亡くなってから3年。ジーンは内気なティーンエイジャーの息子コンラッドとともに、なんとか日常を続けている。イザベルの写真展が企画されたことをきっかけに、長男のジョナが久しぶりに実家へ戻ってくることになり、父と二人の兄弟が本当に久々に同じ屋根の下で暮らすことになる。
製作費: $11,000,000 (17億円)
興行収入: $1,400,000 (2億円)
推定収支: $-9,600,000 (-14億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ヨアキム・トリアー
脚本: ヨアキム・トリアー / Eskil Vogt
音楽: Ola Fløttum
制作: Naima Abed / Joshua Astrachan / アルバート・バーガー
撮影監督: Jakob Ihre
制作会社: Motlys / Memento Production / Nimbus Film / Animal Kingdom / Beachside Films / Bona Fide Productions / ARTE France Cinéma / Don't Look Now
> A family in the grief, at a different level. A multi-nationally produced film, especially you can call it a European product, but an English language film that takes place in the New York. The story of a husband and two sons of the famed war photographer who recently died in a car crash. So the film is focused to tell how they are going to cope with their loss, especially the little brother who has differences with his father. They all kind of drifted away from each other, but without an alternate they have to come together to go through it. This is not a usual mourning theme, but sometimes I felt they forgot they're in mourning. Because the narration quickly shifts to various topics like the birth of a child, a new affair and trying to impress the girl whom the boy has a crush. So with all this, I completely witnessed a different type of film than what it had said. That's not bad, just a refreshing and with constant moving back and forth in in time to disclose some key events. Mainly the portrayal splits into three to cover those three family members and each has its own specialty. Something like a film for older people, middle-aged and teens, all the these contents smartly joined together. Apart from the good show from the cast, the director did his best as usual, but this is not up to the par with his other works. For a watch this film definitely would do good. Since it's not a Hollywood, you won't have to worry about American film clichés, because it was developed much better and ends better. 6/10
