

Running Scared
あらすじ
No synopsis available.
予告・トレイラー
作品考察・見どころ
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興行成績
興行収入: $38,500,726 (58億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。


No synopsis available.
AIが作品の魅力を深く読み解いています
興行収入: $38,500,726 (58億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ピーター・ハイアムズ
脚本: Gary DeVore / Jimmy Huston
音楽: Rod Temperton / Udi Harpaz
制作: ピーター・ハイアムズ / Lawrence Turman / David Foster
撮影監督: ピーター・ハイアムズ
制作会社: The Turman-Foster Company / David Foster Productions / Metro-Goldwyn-Mayer
Show me another career they let you shoot people. Running Scared is directed by Peter Hyams (also on cinematography duties) and written by Gary DeVore, Gary DeVore and Jimmy Huston. It stars Billy Crystal, Gregory Hines, Steven Bauer, Darlanne Fluegel, Joe Pantoliano, Dan Hedaya, Jon Gries, Tracy Reed and Jimmy Smits. Music is by Rod Temperton. The buddy buddy action/comedy cop formula has proved to be a most viable filmic commodity over the years. It gathered apace in the 1980s and right at the forefront is this often forgotten fun little treasure. Plot has Hines and Crystal as Chicago cops, tough and full of wise cracks, they are tasked with trying to bring down high profile drug dealer Julio Gonzales (Smits). The timing is unfortunate because after a holiday in Key West the boys decide they have had enough of police work and want to retire there. Can they bring down Julio Gonzales? Can they stay alive in the process? Questions to be answered in an entertaining hour and forty five minutes. The chemistry between Hines and Crystal is set in stone, they are a great pairing and very quickly you warm to them. As per genre requirements some of their character's methods are unconventional. the gags are thick and fast, and crucially very funny - while the support slots are nicely filled (Pantoliano a joy). In the mix as the two cops ponder retirement is the looming presence of two younger cops ready to step into their shoes, which of course makes for sparky rivalry. There's the emotional beat of "the ex-wife" as a critical plot development, though amazingly Fluegel is under written and hardly in the piece! And Smits never fully convinces as the chief villain, but he also is weirdly under written. Basically if you have a kink for this type of genre piece, especially ones produced in the 80s - and to have an understanding of that decades style of film making - then there's a good time to be had here. 7/10