FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
© 2026 Bennu Inc.TMDB Logo

本サービスはTMDB APIを利用していますが、TMDBによる推奨・認定を受けたものではありません。

レジェンド・オブ・ウォーリアー 反逆の勇者
レジェンド・オブ・ウォーリアー 反逆の勇者

レジェンド・オブ・ウォーリアー 反逆の勇者

20071h 39m★ 5.7アドベンチャーアクション
Disney Plus

あらすじ

No synopsis available.

作品考察・見どころ

本作の魅力は、静寂と暴力が交錯する圧倒的な映像美にあります。台詞を極限まで削ぎ落とし、雪原や深い森という過酷な自然を背景に繰り広げられる死闘は、観客の野性を呼び覚ますような生々しさに満ちています。主演のカール・アーバンが見せる、言葉を超えた身体能力と葛藤を秘めた眼差しは、異端児としての悲哀を完璧に体現しています。 根底に流れるのは、運命に抗い自らのアイデンティティを確立しようとする強固な精神性です。侵略者と守護者、血脈と信念という相反する要素が激突する中で、自分を定義する普遍的な問いを容赦ないアクションを通じて突きつけます。ただの娯楽作に留まらない、魂を揺さぶる原始的なエネルギーをぜひ体感してください。

興行成績

製作費: $45,000,000 (68億円)

興行収入: $30,800,000 (46億円)

推定収支: $-14,200,000 (-21億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

あなたの評価を記録する

予告・トレイラー

配信サービス

サブスクリプション

Disney Plus

レンタル・購入

Amazon Video
Apple TV Store
FOD

キャスト

カール・アーバン
カール・アーバン
Ghost
Moon Bloodgood
Moon Bloodgood
Starfire
Nicole Muñoz
Nicole Muñoz
Little Sister
クランシー・ブラウン
クランシー・ブラウン
Gunnar
Jay Tavare
Jay Tavare
Blackwing
Ray G. Thunderchild
Ray G. Thunderchild
Elder #1
ラルフ・メラー
ラルフ・メラー
Ulfar
Russell Means
Russell Means
Pathfinder
Nathaniel Arcand
Nathaniel Arcand
Wind In Tree
ミシェル・スラッシュ
ミシェル・スラッシュ
Indian Mother

スタッフ・制作会社

監督: Marcus Nispel

脚本: Laeta Kalogridis / Nils Gaup

音楽: Jonathan Elias

制作: John A. Amicarella / Bradley J. Fischer / Arnold Messer

撮影監督: Daniel Pearl

制作会社: Dune Entertainment / Phoenix Pictures / Major Studio Partners / 20th Century Fox

TMDB ユーザーのレビュー

Gimly
Gimly
★ 5

Historically inaccurate with characters you don't care for and a story you've seen beat-for-beat before. But somebody give this damn costume department an Academy Award **immediately**! _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

Wuchak
Wuchak

_**Great-looking action/adventure flick is dramatically weak and banal**_ Vikings come to North America hundreds of years before Columbus bringing death & destruction to the Beothuk people in what is now Newfoundland. One of the latter, Ghost (Karl Urban), is actually a Viking by blood, a survivor of a previous Viking expedition. I thought this was going to be some low-budget Syfy flick but, no, "Pathfinder" (2007) is a theatrical release with stellar production values. The first thing I noticed was that the director is Marcus Nispel, who went on to direct the 2011 version of "Conan the Barbarian." There are some glaring derivative bits sprinkled throughout, like Tarzan, "Conan the Barbarian" (1982), "Rambo 2," "Last of the Mohicans," and so forth. This isn't helped by forced lines, like the exchange about the two wolves within each individual. Clichéd bits like this CAN work, but they have to be better executed. The antagonists are the Vikings, who are depicted as comic booky inhuman monsters, whereas the natives are virtuous. This brings up the whole nature vs. nurture issue as Ghost is of Viking heritage but because he's brought up by the spiritual Beothuk people he isn't corrupted by the Vikings' ways. This suggests that evil or immorality is socially spread. Russell Means, who played Chingachgook in "Last of the Mohicans," is on hand as the elder Pathfinder. It's great to see him still truckin' along at almost seventy years old. The film was shot in British Columbia in mostly forest settings, but with occasional mountains that don't look much like the Northeast; some do though. Despite this flaw, "Pathfinder" is a visually striking film from beginning to end, and I don't just mean the scenery. Nispel knows how to make a spectacularly good-looking movie, that's for sure. In fact, it's so awe-inspiring it's worth the price of admission. Unfortunately, I can't say the same for the story. Everything is here for a quality movie, but somehow the story just isn't all that captivating like "Last of the Mohicans" or the original "Conan the Barbarian," although it's serviceable. Some complain about the extreme violence but it's not necessarily a case of violence for the sake of violence as there are dramatic valleys to contrast the violent highs. Depth is hinted at, it just needed more. Meanwhile the overkill action sequences needed reigned in. The film runs 1 hour, 39 minutes. GRADE: C

Filipe Manuel Neto
Filipe Manuel Neto
★ 2

**A historian should not watch this film without a medical team nearby.** My problem with films set in the past, or about historical facts, is that my academic background in History prevents me from lightly accepting everything that the filmmakers want to make me swallow. That's why I was so harsh in the reviews I wrote about some films here, and everything indicates that, to major sadness of my heart, I will continue to have this problem. Okay, cinema must have its creative freedom, and it is also necessary to fill information gaps (we don't know everything about the past), but even creative freedom must recognize logical limits. Today, we know without a doubt that Scandinavian navigators – who have been called “Vikings” – were the first Europeans to arrive in North America. What we still don't know is whether they were aware of it! Could they have maintained contact with Native American people in the region where they landed? Personally, it seems clear to me. Were there conflicts? I don't know, archeology might discover more about this. Is it legitimate to say that the Vikings discovered America? Yes, if we find out that they knew they had arrived at another continent. Until then, no: not even Columbus had that awareness. The film takes this first contact between Amerindians and Europeans and creates a story of blood and violence: on the one hand, the Amerindians are portrayed as simple, friendly peasants who live in harmony with nature and who have their land invaded, and the Nordics are bloodthirsty savages who kill for pleasure. Furthermore, the script uses the historical fact to draw a parallel with the future European colonization of America in which, supposedly, Europeans return to invade and massacre “inferior” peoples for the pleasure of seeing blood flow. These are parallels that I even understand, given the modern need to demonize any European colonization enterprise. Current society, especially in the Americas, feels the urgency to condemn the colonial past of the Old World, forgetting that it is a daughter of that same world and that it is not so different from what it was in the past, in vices and virtues. These kinds of parallels and revisionist needs reveal a lot about the way we see the past, and are enemies of historical truthfulness. In short, this is what makes this film a piece of garbage that I don't recommend to anyone, and to these problems are added the usual untruths and factual errors about Vikings, from the damn horned helmet that everyone should already know is pure fiction to the indistinct use of any apparently medieval sword, apparently Arab horses and many iron armors, made with technology that would only appear four hundred years later. I'm not the best person to talk about indigenous people, but I believe that experts in the culture and traces of these people may have some heart problems after seeing this film. Is there anything good in this movie? Well, yes… the film was very well filmed and makes good use of the landscapes and filming locations. For action fans, the film has good fight scenes, well choreographed and quite creative (sometimes even too much). The soundtrack isn't bad, it does its job flawlessly. Russel Means was pretty decent in his role, but he's literally the only member of the cast to deserve any kind of spotlight, and I can't even consider him doing a remarkable job.

おすすめの作品