オール・イズ・ロスト ～最後の手紙～
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スマトラ海峡から3150キロ沖。“すべて失った……すまない”という男のつぶやきが響く……。 ことの起こりは８日前。インド洋をヨットで単独航海中の男は水音で眠りから覚める。気が付けば、船室に浸水が。海上を漂流していたコンテナが激突し、ヨットに横穴が開いてしまったようだ。航法装置は故障し、無線もラップトップも水浸しで使い物にならない。しかし、この災難は始まりに過ぎなかった。
製作費: $9,000,000 (14億円)
興行収入: $6,108,720 (9億円)
純利益: $-2,891,280 (-4億円)
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Robert Redford is quietly circumnavigating somewhere in his yacht when he wakes up with a puncture. During the night, the boat has clashed with a ten ton piece of flotsam and is holed above the waterline. He’s not unduly worried as he can still navigate freely and has plenty of supplies, but a series of storms soon reduce him to living in his life raft, creatively desalinating his water and hoping he can manoeuvre his way into the shipping lanes where one of the great freighters who caused his predicament in the first place might be able to help him. What chance rescue? There is virtually no dialogue, save for the odd SOS attempt on the wireless, and so we are left like a fly-on-the-mast observing as he has to survive the worse that the ocean can throw at him, plot his course and attract the attention of those skyscraper-esque vessels as the last thing their lookouts (assuming they have any) expect to see in the middle of nowhere is a bloke on a rubber dinghy! It’s a slowly paced drama, this, so don’t expect too much to happen minute by minute, but as we watch this man use his ingenuity to survive it becomes quite an intensely photographed and compelling feature with us far from certain that he, even if he is Robert Redford, will make it to safety. I love boats, especially with a glass of Veuve Clicquot and the odd prawn sandwich. This one, though, maybe not so much.
