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Billie Eilish - Hit Me Hard and Soft: The Tour (Live in 3D)
Billie Eilish - Hit Me Hard and Soft: The Tour (Live in 3D)

Billie Eilish - Hit Me Hard and Soft: The Tour (Live in 3D)

20261h 54m★ 7.5音楽ドキュメンタリー

あらすじ

No synopsis available.

予告・トレイラー

興行成績

製作費: $20,000,000 (30億円)

興行収入: $26,721,893 (40億円)

推定収支: $6,721,893 (10億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ビリー・アイリッシュ
ビリー・アイリッシュ
Self - Vocals, Piano, Guitar
フィニアス・オコネル
フィニアス・オコネル
Self - Vocals, Piano, Guitar
No Image
Andrew Marshall
Self - Drums
No Image
Solomon Smith
Self - Bass
No Image
Abraham Nouri
Self - Keys, Guitar
No Image
Tom Crouch
Self - Keys, Guitar
No Image
Jane Horner
Self - Background Vocals
No Image
Ava Horner
Self - Background Vocals
ジェームズ・キャメロン
ジェームズ・キャメロン
Self (uncredited)
マギー・ベアード
マギー・ベアード
Self (uncredited)

スタッフ・制作会社

監督: ジェームズ・キャメロン / ビリー・アイリッシュ

脚本: Tarik Mikou / ビリー・アイリッシュ

制作: ビリー・アイリッシュ / ジェームズ・キャメロン / マギー・ベアード

撮影監督: John Brooks

制作会社: Interscope Films / Darkroom Records / Lightstorm Earth

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

At the risk of swimming against the tide, here - is this really a film at all? Certainly it's an exceptionally high-spec production of a concert from Billie Eilish, and it clearly demonstrates that she is charismatic, engaging and talented - but we have seen so many films of concerts that perhaps aren't in 3D, but that do, and have done, exactly the same as this for decades. Britain's largest indoor venue is packed to the rafters with adoring - even adulatory - fans from a myriad of backgrounds, sexualities, races, creeds and many of them believe that Eilish is their best friend; their inspiration for getting through the day and their equivalent of a deity. She, when we see her backstage, comes across as someone acutely aware of the role she plays in the lives of those who know every lyric to every song she has ever written (and she knows exactly how to make sure they are given every opportunity to join in and share in the experience), and in that she presents a modest and appreciative woman who is as far removed from a diva as it's possible to get. She is an engagingly down-to-earth lady whose humanity and sensitivity is writ large and naturally throughout. James Cameron and his array of technical gizmos, as well as some impressive and colourful set design, give this whole show a polished sheen to it and, of course, the songs are delivered with an acoustic excellence that belies the fact that she is but a tiny dot amidst an enormous cacophony of noise and an ocean of mobile phone torches. Maybe it's just my age, and/or my cynicsm, but I did find the contributions of some of her fans to be a bit cringe making, but perhaps that has been the way ever since Elvis or the Beatles or Whitney Houston took to a stage and changed lives for those enthralled in the crowd. This is a classy and stylish enterprise and if you are a fan of her music then you'll love it. For me, though, I felt just a bit too detached by the sheer professionalism of the whole thing and at times it came across as just a little sterile.

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