手に汗握るカースタントが炸裂する、バート・レイノルズ主演によるアクション・シリーズ第3弾。恋人に振られ酒浸りとなったバンディットが報酬40万ドルの仕事を引き受けたことから、思わぬ事態に陥る。
AIが作品の魅力を深く読み解いています
製作費: $9,000,000 (14億円)
興行収入: $7,000,000 (11億円)
推定収支: $-2,000,000 (-3億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Dick Lowry
脚本: Hal Needham / Robert L. Levy / Stuart Birnbaum
音楽: Larry Cansler
制作: Mort Engelberg
撮影監督: James Pergola
制作会社: Universal Pictures
RELEASED IN 1983 and directed by Dick Lowry, "Smokey and the Bandit Part 3” is a car chase comedy about Big Enos and Little Enos (Pat McCormick & Paul Williams) betting Sheriff Buford T. Justice (Jackie Gleason) that he can’t drive from Miami to the Enos ranch in Texas in a short period of time. The Sheriff is joined by his dimwitted hunk of a son (Mike Henry). Meanwhile Cledus "Snowman" Snow (Jerry Reed) takes the place of The Bandit, teaming up with a woman who just quit her job at a used car lot (Colleen Camp). Burt Reynolds and Sally Field are absent in this third entry of the Good Ol’ Boy series, except for Burt having a glorified cameo at the end. Gleason takes the lead with Mike Henry’s support. The latter is so effective in his inane role that you completely forget that he played a serious Tarzan in three movies from 1966-1968, not to mention the formidable corrupt Sheriff in “Rio Lobo” (1970). At 46 during shooting, you’ll observe that he certainly kept in shape. Car chase comedies like this are meant for leaving your brain at the door and having fun, but this inferior sequel makes me want to up my rating for the original “Smokey and the Bandit” (1977). There’s an amateurish vibe, particularly with the writing and editing, which prevents it from attaining even the low level of "Cannonball Run 2" (1984). Still, it’s the most action-packed (and goofy) entry in the series and it has its points of silly amusement. Colleen Camp is serviceable essentially replacing Field on the female front, although not enough is done with her. If you’re not familiar with Colleen, she played the Indian playmate in “Apocalypse Now” (1979) and the hot French maid in “Clue” (1985). Anyway, this segment arguably features the best women in the periphery. Faith Minton is on hand as a 6’1” Amazonian who takes a liking to the Sheriff. THE MOVIE RUNS 1 hour, 25 minutes and was shot entirely in Florida (Fort Lauderdale, Miami Beach, Key Biscayne, Ocala, Clearwater and Miami). GRADE: C-/D+
