“涙を見せないで! 愛する人を追って私はシベリアへ行きます”
ロシア革命前夜のユダヤ人迫害を背景に、ウクライナのユダヤ人一家の生活を描いたミュージカル。J・スタインのブロードウェイ劇をもとに映画化。ウクライナに暮らす貧しいユダヤ人テビエ。彼の娘たちが、次々と結婚して家を出ていく。そして彼もまた、ユダヤ人の国外追放によって、家を出なければならなくなる…。
AIが作品の魅力を深く読み解いています
製作費: $9,000,000 (14億円)
興行収入: $83,304,330 (125億円)
推定収支: $74,304,330 (111億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Norman Jewison
脚本: Шалом Алейхем / Joseph Stein / Arnold Perl
音楽: ジョン・ウィリアムズ / Jerry Bock
制作: Norman Jewison / Walter Mirisch
撮影監督: Oswald Morris
制作会社: United Artists / Cartier Productions / The Mirisch Company
Topol ("Tevye") is superb in this telling of a tale of an agrarian Jewish father in late 19th century Russia who has three daughters. The basic premiss is that he has to arrange suitable "matches" for them. With the aid of some classic numbers like "Matchmaker" & "If I was I Rich Man" we share his experiences and adventures as he attempts, with varying degrees of success, to find suitable husbands for his girls. Set against a backdrop of religious intolerance, and ultimately a pogrom, this is a clever, engaging depiction of the harsh conditions endured by rural Russians in general and the Jewish community specifically. Norman Jewison contrives to reconcile sometimes quite brutal stories of religious prejudice with a defiantly gentle, joyful communal spirit in a thought-provoking and personable fashion. Jerry Bock's instantly recognisable score - based around a delicate, witty and entertaining lyric from Sheldon Harnick makes this as good as any of the genre and although it does drag a bit at the start of the second act, it passes the three hour mark with considerable style.
