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Garringo
Garringo

Garringo

19691h 34m★ 5.1西洋

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Rafael Romero Marchent

脚本: Giovanni Scolaro / Joaquín Romero Marchent

音楽: Marcello Giombini

制作: Berto Solino

制作会社: Tritone Cinematografica / 21-Producciones / Profilms 21

口コミ

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キャスト

Anthony Steffen
Anthony Steffen
Lieutenant 'Garringo' Harris
Solvi Stübing
Solvi Stübing
Julie
Raf Baldassarre
Raf Baldassarre
Damon
Frank Braña
Frank Braña
Bill
José Bódalo
José Bódalo
Sheriff Klaus
Antonio Molino Rojo
Antonio Molino Rojo
Harriman
María Salerno
María Salerno
Nancy Grayson (as Marta Monterrey)
Peter Lee Lawrence
Peter Lee Lawrence
Johnny
Luis Marín
Luis Marín
Pete, Bounty Hunter
Barta Barri
Barta Barri
Wilson (as Barta Barry)

TMDB ユーザーのレビュー

John Chard
John Chard
★ 6

Under a blood red sky! Garringo is directed by Rafael Romero Marchent and Marchent co- writes the screenplay with Giovanni Scolaro. It stars Anthony Steffen, Peter Lee Lawrence, Solvi Stubbing, Jose Bodalo and Raf Baldassarre. Music is by Marcello Giombini and cinematography by Aldo Ricci. Johnny as a very young boy witnesses the murder of his father by a soldier, he grows up to be a double life leading killer of soldiers. Enter a man to hunt him down, Lieutenant Garringo. This Is Bells City - You Better Return If You Don't Hear It. A most interesting Pasta Western because although the narrative doesn't have ambitions to expand thematically, there's psychological depth to the principal bad boy. He's scarred by the murder of his father and has become a twisted callous killer, yet he's still capable of hiding his dark half so as to exude as a dandy caring type. That said, pic is more interested in the straight forward conventions of a driven hunter hunting down his prey, to which we have a cool Steffen and a schizophrenic Lawrence acting accordingly. Sincerely Johnny. Production crams in genre staples, both traditional American and Spaghetti, so we get camera shenanigans involving canted angles, zooms, close-ups et al. Plenty of violence resides, though some is done down by poor choreography (could the punches be any further from the targets?), and action is in no short supply (great hold-ups and the usual shoot-outs). The locations are most pleasing, which in turn are backed by a nifty musical score that's big on jaunty woodwinds and menacing strings. A maniac who has to have a gun to be a man! With both leading characters showing dexterity to marry up with their respective killing traits, it's a film underpinned by both, ensuring this is worth a watch. Hardly a genre classic, mind, but enough here to have a good time with. 6.5/10

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