FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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Sharky's Machine
Sharky's Machine

Sharky's Machine

19812h 2m★ 6.1犯罪ドラマアクションスリラー
HBO Max on U-Next

あらすじ

No synopsis available.

作品考察・見どころ

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興行成績

製作費: $17,500,000 (26億円)

興行収入: $35,610,100 (53億円)

推定収支: $18,110,100 (27億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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予告・トレイラー

配信サービス

サブスクリプション

HBO Max on U-Next

レンタル・購入

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Apple TV Store
Google Play Movies

キャスト

バート・レイノルズ
バート・レイノルズ
Tom Sharky
Rachel Ward
Rachel Ward
Domino
ヘンリー・シルヴァ
ヘンリー・シルヴァ
Billy Score
Brian Keith
Brian Keith
Papa
Vittorio Gassman
Vittorio Gassman
Victor Scorelli
チャールズ・ダーニング
チャールズ・ダーニング
Lt. Friscoe
Earl Holliman
Earl Holliman
Donald Hotchkins
Bernie Casey
Bernie Casey
Arch
Richard Libertini
Richard Libertini
Nosh
Darryl Hickman
Darryl Hickman
Smiley

スタッフ・制作会社

監督: バート・レイノルズ

脚本: Gerald Di Pego / William Diehl

音楽: Al Capps

制作: Hank Moonjean

撮影監督: William A. Fraker

制作会社: Deliverance Productions / Orion Pictures

TMDB ユーザーのレビュー

GenerationofSwine
GenerationofSwine
★ 10

It was made in '81 and is actually a pretty solid police film. It's not great, it's not Chinatown, but it also is pretty far from horrible. The dialogue is absolutely fantastic, and even in the throw away moments, there is a humor that seems very human. It's Hollywood sharp and witty to the point where it's almost too good to be realistic, it's just, human. There are a lot of little throw away conversations that seem like the kind of thing you'd hear in your everyday life. And that adds a nice touch of realism to what is otherwise a cop film, and those are always pretty unrealistic. The sound track is a little dated, a little 70s Adult film in places, but that was just a trope of the era and even great films like Three Days of the Condor had that 70s had that "I expect John Holmes to walk in any minute now" kind of music... but then it also had the cliche 80s sex scene instrumentals. So it feels like the merging of two eras and, audioly, it can't really decide if it wants to be 70s or 80s. And then it has crooning that seems like it fits better in a Sean Connery era 007 film. I guess what I'm saying is that, if there is a flaw, it's the sound track. Essentially what it is though is a solid cop film that is bucking for 1970s gritty and realistic, but is still, ultimately, as over the top and unrealistic as most police thrillers. It's a very enjoyable film to watch.... despite the music.

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