消防士として日々体を張って勇敢に炎に立ち向かい、仲間の窮地も救ってきたケイレブ。そんな消防士のかがみと言える彼も、プライベートでは妻キャサリンとの冷え切った夫婦関係に悩まされ、深い溝を埋められないまま離婚の危機を迎えていた。これまで、あまり妻のことに意を介さず、金銭面など自分のことしか考えてこなかったケイレブ。するとある日、彼は父から“Ｔｈｅ Ｌｏｖｅ Ｄａｒｅ”という日記のような物を受け取る。そこには４０日間に渡って相手に示す様々な愛の表現が記されていた。
AIが作品の魅力を深く読み解いています
製作費: $500,000 (1億円)
興行収入: $33,473,297 (50億円)
推定収支: $32,973,297 (49億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
I think Catherine Holt (Erin Bethea) sums up very well what’s wrong with her marriage to Caleb (Kirk Cameron): “You can’t expect me to work every day and get the groceries while you look at trash on the Internet dreaming about your boat.” She has a point, or rather two. According to her, Caleb “tuck[s] away a third of [his] salary saving for a boat we don’t need. [He has] $24,000 in savings when things in our house need fixing." You can’t argue with that; having a boat is after all a single guy kind of thing to do. I don’t need to tell the movie this – what with it being a "faith-based” drama –, but “No man can serve two masters: for either he will hate the one, and love the other; or else he will hold to the one, and despise the other. Ye cannot serve God and mammon.” In other words, ye cannot have a wife and a boat. As for the “trash” that Caleb is so fond of – i.e., porn –, I could see a way to work that into a marriage, but then both parties would have to be on board, and that’s precisely the problem with this movie. To help him save his marriage, Caleb’s father John (Harris Malcom) presents him with “The Love Dare;” a 40-day program that goes something like this: “Day one: … For the next day resolve to say nothing negative to your spouse at all. If the temptation arises, choose not to say anything … Day two: … In addition to saying nothing negative to your spouse today, do at least one unexpected gesture as an act of kindness,” and so on and so forth (on the 16th day he has to pray for her; in the movie’s funniest line, Caleb confesses “I kind of skipped that one.” This obviously happens before he relents and accepts Jesus Christ into his heart). Catherine takes her husband’s newfound attentiveness with a grain of salt (her friends advise her that “He’s trying to butter you up for a divorce,” whatever that means). Caleb calls his father and complains that “None of this means anything to her,” and he’s right, but how could it be any other way? How can something she doesn’t even know is going on mean anything to her? Oddly, when John talks about his experience with the Love Dare, he speaks in plural – e.g., “There was a point when we had no hope either” –; unless he’s using the royal ‘We,’ he means himself and Caleb’s mother. Caleb, on the other hand, hides the whole thing from Catherine, which a) doesn’t seem like the best way to go about repairing your marriage and b) wouldn’t it work better if it were a two-sided effort? It’s not like she’s completely blameless, either. And now to give the Devil, or I guess Jesus, his due. Caleb is a firefighter, and he and his crew are called to the scene of a traffic accident. A woman is trapped inside the wrecked vehicle, which in turn is sitting on some tracks right on the path of an oncoming train. They are “currently unable to make contact with the train dispatcher,” so Caleb & Co. have no choice but to manfully push the car out of harm’s way. This is all kinds of great. Not only does it put to shame many a newer, much more expensive film (is it an actual train? I’m not going to go out on a limb that it is, but if it’s CGI, then it’s the best damn CGI train I’ve ever seen), but it makes me care about the characters because I can believe they truly are firefighters putting their lives on the line – quite literally, in this case. Now, if only the movie had been about firefighting instead of a loveless marriage that avoids ending up in divorce thanks to a little ménage à dieu.
