FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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20091h 27m★ 6.5ホラー

あらすじ

2003年の韓国製ホラー「箪笥」のハリウッドリメイク版。病気で寝たきりだった母が火事で亡くなる現場を目撃してしまったアナは、ショックから精神病院に入院する。ようやく退院し、父と姉アレックスが待つ自宅へと帰ったアナは、母の看護士だったレイチェルが父の新恋人となって同居していることを知る。継母のように振る舞うレイチェルに反感を抱くアナとアレックス。やがて、アナの前に母の亡霊が現われ……。

作品考察・見どころ

本作の真髄は、観客の記憶を巧妙に操る心理描写にあります。冷淡さと美しさが共存する映像の中で、エミリー・ブラウニングの危うい繊細さが、家族に潜む毒を浮き彫りにします。静かに侵食する疑念が観客を揺さぶる演出は、心理ホラーとして極めて高い完成度を誇ります。 物語の核心には、喪失が織りなす精神の歪みがあります。寒色系の色彩が孤独を増幅させ、観客を出口のない迷宮へ誘います。真実が明かされる瞬間の残酷なカタルシスは、映像ならではの戦慄を深く刻み込むでしょう。人間の深淵を覗く勇気が試される、美しき衝撃作です。

興行成績

興行収入: $41,624,046 (62億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

エミリー・ブラウニング
エミリー・ブラウニング
Anna
アリエル・ケベル
アリエル・ケベル
Alex
デヴィッド・ストラザーン
デヴィッド・ストラザーン
Steven
エリザベス・バンクス
エリザベス・バンクス
Rachael
Maya Massar
Maya Massar
Mom
Kevin McNulty
Kevin McNulty
Sheriff Emery
Jesse Moss
Jesse Moss
Matt
Dean Paul Gibson
Dean Paul Gibson
Dr. Silberling
Don S. Davis
Don S. Davis
Mr. Henson
No Image
Lex Burnham
Iris

スタッフ・制作会社

監督: Charles Guard / Thomas Guard

脚本: 김지운 / Carlo Bernard / クレイグ・ローゼンバーグ

音楽: Christopher Young

制作: Tom Pollock / Doug Davison / Michael Grillo

撮影監督: Daniel Landin

制作会社: DreamWorks Pictures / Cold Spring Pictures / Parkes+MacDonald Image Nation / The Montecito Picture Company / Vertigo Entertainment

TMDB ユーザーのレビュー

Wuchak
Wuchak
★ 8

***Haunting mysteries on the coast of Maine with Emily Browning and Elizabeth Banks*** After her mother dies in a tragedy, a teen girl (Emily Browning) is sent to a mental hospital. Upon returning to her father’s mansion on the coast of Maine, she reunites with her older sister (Arielle Kebbel) and tries to get along with her dad’s new girlfriend (Elizabeth Banks), her mother’s former nurse, who appears to be taking over. David Strathairn plays the father, a successful author. “The Uninvited” (2009) is a mystery/horror that combines elements of “The Sixth Sense” (1999), “Half Light” (2006) and “The Ring” (2002), although it’s a little more subdued than the latter. If you like the haunting tone of those movies and the spectacular locations of the latter two, you’ll appreciate it. Browning with her ultra-cute face was 20 during filming, but looks 14. Meanwhile Banks is effective as the biyatch gold-digger and Strathairn is convincing as the clueless father. The story plays out in a too-predicable manner. If you saw the trailer beforehand it basically tells you everything you need to know. But not really: The last 15 minutes pulls the rug out with some surprising revelations. I heard there was a twist before viewing and went over various possibilities in my mind while watching, but the movie fooled me. Great job on this front. Not everything is as it appears. I’d say more, but I don’t want to spoil it. My relatively high rating is due to the lingering power of the film's message on individual perception. It's potent and applicable stuff, expertly executed. The film doesn’t overstay its welcome at a mere 1 hour, 27 minutes. It wasn’t shot in the Northeast, however, but obviously British Columbia (Bowen Island). It’s an American remake of the Korean film “A Tale of Two Sisters” (2003). GRADE: B+/A-

John Chard
John Chard
★ 5

We survive by remembering. But sometimes we survive by forgetting. The Uninvited is directed by The Guard Brothers and written by Craig Rosenberg, Doug Miro and Carlo Bernard. It stars Emily Browning, Elizabeth Banks, Arielle Kebbel and David Strathairn. Music is by Christopher Young and cinematography by Daniel Landin. A remake of Korean film "A Tale of Two Sisters", plot finds Anna (Browning) released from a psychiatric institution, she was placed in there following a suicide attempt when her terminally mother died in a boathouse fire. Once home she begins to encounter bad dreams and supernatural visions... It was yet another American remake of an Asian horror film, at a time when doing so was in vogue, unfortunately this is one of the weakest of the bunch. Not exactly terrible, it's just so unoriginal and devoid of any suspense or chiiling atmosphere. In fact it feels more like a murder mystery piece but with a couple of spook scenes inserted into the narrative. Pic is predominantly saved by the finale, where the story unravels with some genuine surprises. Cast are all fine in perfs, even if Strathairn is utterly wasted in his under written role. 5/10

JPV852
JPV852
★ 6

Okay psychological thriller featuring a fine performance by Emily Browning. This is one I saw back in '09 and pretty much feel the same way I did back then. Nothing great but worth checking out I suppose. **3.0/5**

CinemaSerf
CinemaSerf
★ 6

Hmmm. There isn't really much worth saying about this truly mediocre horror effort. "Anna" (Emily Browning) is having a torrid time after her mother died in a fire. Having tried suicide, she is placed in an institution from where, after ten long months, she is released back into the care of her father. "Steven" (David Strathairn) is pretty ill-equipped to deal with this young woman, and things are not helped by the fact that in the intervening months, he has married her late mum's former nurse "Rachel" (Elizabeth Banks). It's fair to say that this new step-mother/daughter relationship isn't a rip-roaring success, and after a while "Anna" and her sister "Alex" (Arielle Kebbel) begin to suspect that perhaps their mother's death may not have been as accidental as everyone thought. The former girl's beliefs being fuelled by what she thinks are beyond-the-grave visitations from their wronged mother. This film presents a sort of clunky amalgam of detective story and mystic horror with a fair degree of family melodrama thrown in. The acting is very by-the-numbers and there is way too much wordy dialogue and nowhere near enough by way of menace before an ending that isn't quite what I was expecting. Somehow, though, I was expecting that! There had to be something a little quirky about this otherwise procedural affair, else why bother to adapt it from the original Korean "Tale of Two Sisters" (2003)? It's reasonably well produced, the effects are adequate and it has a pace that keeps it from stalling, but it really could have been doing with a bit more emphasis on the characterisations and a darker, more sinister execution of the plot.

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