ラルフ・バクシによる、アニメと実写の合成作品。交通事故のはずみでアニメの世界・クールワールドに迷い込んだ主人公と、その世界の原作者であるもう一人の男。そしてその男が理想の女性像として描いた美女。この三人によって繰り広げられるファンタスティックなラブ・ストーリー。
AIが作品の魅力を深く読み解いています
製作費: $30,000,000 (45億円)
興行収入: $14,110,589 (21億円)
推定収支: $-15,889,411 (-24億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Ralph Bakshi
脚本: マイケル・グレイス / Mark Victor
音楽: マーク・アイシャム
撮影監督: ジョン・Ａ・アロンゾ
制作会社: Paramount Pictures / Bakshi Animation
Decent, though a disappointment after enjoying Bakshi's great run of Spider-Man cartoons from the 60's. The animation style and great soundtrack--dated in a fine way--make up for such a lousy and uninspired script. I'd much rather come across Shirley Clarke's similarly titled film from the 60's instead.
I'm not 100% positive but I think my parents took me to see this, when I was only 11 years old, and I'm pretty sure they were at the very least unconformable though this was only a month after they took me to see Batman Returns so... Anyway, seeing this again after 30 years, this feels like a movie made for people to watch while high because I was perplexed at what this was. It also had the stench of studio interference with a confusing plot at least early on and not helped by one-dimensional characters and hammy acting, with Brad Pitt seeming to regret taking the role even if it was early in his career. Kim Basinger as Holli Would was fun, to say the least. And Gabriel Byrne just look confused. The scenes with animation and live action felt unpolished compared to something like Who Framed Roger Rabbit, however some of the real sets definitely had some interesting aesthetics to them. I don't know, this is one that some might appreciate but for myself I doubt I'd ever revisit. **2.5/5**
