“いくつになっても、旅に出る理由がある━━。”
愛する妻に先立たれ、古い一軒家にひとりで住むカールじいさん。彼の家がある地区に開発の波が押し寄せ、ついにカールじいさんも立ち退きを余儀なくされる。そこでカールじいさんは亡き妻エリーと約束を交わしたが実現しなかった、南米の美しい秘境、パラダイスの滝への旅を思い立ち、彼女との思い出が詰まった家に無数の風船をつけて空に飛び上がると南に向かう。ところが家にはいつの間にか近所のラッセルが入り込んでいてた。
製作費: $175,000,000 (263億円)
興行収入: $735,103,954 (1103億円)
推定収支: $560,103,954 (840億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ピーター・ドクター
脚本: Bob Peterson / ピーター・ドクター / Tom McCarthy
音楽: マイケル・ジアッチーノ
制作: John Lasseter / アンドリュー・スタントン / ジョナス・リヴェラ
撮影監督: Jean-Claude Kalache / Patrick Lin
制作会社: Pixar
A fun and charming adventure. <em>'Up'</em> certainly knows how to tug at the heartstrings. It creates a very meaningful story around Carl Fredricksen (Ed Asner), with the early scenes particularly standing out as superb. I don't overly enjoy the parts with Dug (Bob Peterson) and Kevin (Pete Docter), not that they are bad, though everything with Fredricksen, Russell (Jordan Nagai) and Charles F. Muntz (Christopher Plummer) is entertaining and/or hearty. Asner and Nagai do terrific, in what is one of Disney's 'best of the rest' films. There is some lovely music by Michael Giacchino, too. Go watch!
To Christopher Plummer and Ed Asner... RIP.
Widowed "Carl" (anyone else thinks he looks like Henry Kissinger?) gets himself involved in an altercation with a construction worker that sees him court-ordered to the "Shady Oak" retirement home. He's having none of that, and on the day of his deportation releases thousands of balloons from his chimney. They manage to uproot his house and using some rudimentary sails he sets off in search of "Paradise Falls". Deep in South America lie these idyllic waters where he and his late wife dreamt of visiting. En route, and a few hundred feet up, he hears a knock at the door. It's "Russell". A boy scout from his home town who just happened to find himself on the balcony when it took flight. The two don't immediately bond, but after a thunderstorm when it becomes clear that the youngster has his uses, a truce sets in as they end up having to walk through the jungle towing his still airborne home behind them. This is when they meet the big-beaked "Kevin" and the talking dog "Dug". Continuing their search, they stumble upon an adventurer who is warm and welcoming, but is he all that he seems - especially when he learns of "Kevin"? The animation is lively and vibrant and it's quite good fun this adventure, with loads of sarcastic attitude from the curmudgeonly old git, a breezy and not too annoying child in "Russell" and a last ten minutes, or so, that are fairly action packed and enjoyable to watch. It's not my favourite Disney/Pixar film this, but it passes ninety minutes effortlessly enough.
"UP" is a movie that begins with a poignant and emotional experience, immediately tugging at the heartstrings with a touching portrayal of loss and longing. The journey of Carl embarking on adventures inspired by his late wife's dreams is both heartfelt and captivating, drawing viewers into a world filled with emotion and wonder. The dynamic between Carl, Russell, Kevin, and Dug adds excitement and depth to the story, as they embark on extraordinary adventures together. The over-the-top and ridiculous villain brings a sense of thrill and suspense to the narrative, enhancing the overall viewing experience. The bond between Carl and Russell, an older gentleman and a Boy Scout, is a central highlight of the film, showcasing a beautiful and heartwarming relationship that blossoms through their shared adventures. The characters of Kevin, the big bird, and Dug, the dog with funny voices, provide comedic relief and add charm to the storyline, creating moments of lightness amidst the emotional weight of the narrative. While the confusion surrounding the wife's death may be a downside for some viewers, the presence of Muntz as a compelling and fully realized villain adds depth and tension to the plot, keeping audiences engaged throughout the film. Overall, "UP" is a beautifully crafted movie that skillfully balances emotional depth, humor, and adventure, offering a rich and immersive viewing experience for audiences of all ages. The film's ability to evoke a range of emotions and deliver a compelling story makes it a must-watch recommendation for everyone, promising an enjoyable and memorable cinematic journey.
I'm always struck by how much jeopardy and peril there is in modern family films. Not that it's a bad thing... But I was also the child who had to be taken out of the cinema during 101 Dalmatians, Pinocchio, and Bambi.
