Immortal Beloved
あらすじ
No synopsis available.
予告・トレイラー
作品考察・見どころ
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興行成績
製作費: $120 (0億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $120 (0億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
FindKeyのエディトリアルチームがこの作品の深層や歴史を解説しています。
監督: バーナード・ローズ
脚本: バーナード・ローズ
制作: Bruce Davey / Stephen McEveety
撮影監督: Peter Suschitzky
制作会社: Icon Productions
Ten years after the success of "Amadeus"; Hollywood decided to offer us a biopic of this giant of 19th century music who helped set up Vienna as the Mecca of classical music at the time. A truly multi-talented Gary Oldman is on good form as Bernard Rose guides us through the life, and fairly frequent loves, of this genius. His flaws are writ large from the beginning; his, at times, quite brutal upbringing and his womanising certainly didn't make him the nicest of men; and as his deafness takes over his character becomes more irascible and unpredictable. The story is presented as a retrospective, starting at his funeral, and is largely described through the perspective of his friend Anton Schindler (a considered effort from Jeroen Krabbé) and we see how his nature could vacillate from kindly, cruel, passionate and loving to selfish and vile. There are strong supporting contributions from Isabella Rossellini and Johanna Reiss that help keep this film focused and engaging. There are also ample opportunities to hear some of his music played, quite possibly, in a venue he would have himself attended. The attention to detail is superb: costumes, sets and locations all looking excellent. The dialogue is sparing, but it's what they all do with it - especially Gary Oldman - that helps make this film stand out. Two hours just flew by, and if you are fan of the music and interested in the man - then this is a good watch.
