FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

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わが街
わが街

わが街

19912h 14m★ 6.4ドラマ犯罪コメディ

あらすじ

ローレンス・カスダン監督によるヒューマン・ドラマの秀作。大都会ロサンゼルスを舞台に、それぞれに人生の転換期を迎えた6人の男女のエピソードを群像劇タッチに描いている。

予告・トレイラー

作品考察・見どころ

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興行成績

興行収入: $40,991,329 (61億円)

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キャスト

ダニー・グローヴァー
ダニー・グローヴァー
Simon
ケヴィン・クライン
ケヴィン・クライン
Mack
スティーヴ・マーティン
スティーヴ・マーティン
Davis
メアリー・マクドネル
メアリー・マクドネル
Claire
Mary-Louise Parker
Mary-Louise Parker
Dee
アルフレ・ウッダード
アルフレ・ウッダード
Jane
Jeremy Sisto
Jeremy Sisto
Roberto
Tina Lifford
Tina Lifford
Deborah
Patrick Malone
Patrick Malone
Otis
Sarah Trigger
Sarah Trigger
Vanessa

スタッフ・制作会社

監督: ローレンス・カスダン

脚本: ローレンス・カスダン / Meg Kasdan

音楽: James Newton Howard

制作: Michael Grillo / ローレンス・カスダン / Charles Okun

撮影監督: Owen Roizman

制作会社: 20th Century Fox

TMDB ユーザーのレビュー

Wuchak
Wuchak
★ 9

_**Thought-Provoking Drama with Characters You Care about**_ "Grand Canyon" (1991) is essentially about the 'grand canyon' that exists between the races and the haves & have-nots in America. It starts out powerfully with a middle-aged lawyer named Mack (Kevin Kline) taking an unwise detour in L.A.; the situation turns threatening when a group of thugs harass him, but a tow truck driver comes to his aid (Danny Glover). Thus begins a relationship that positively impacts both of their lives and the those connected to them. One subplot involves Mack's love/lust for women (like any red-blooded male). He and his wife (Mary McDonnell) are starting to experience the empty nest syndrome; he naturally veers toward an affair at work. There's an early scene where the potential "other woman" (Mary-Louise Parker) comes into his office and puts her hand on his. It's a simple yet potent scene. Is it wrong for Mack to have feelings for this woman? Should he risk destroying his marriage by pursuing a more intimate relationship? And, if he does commit adultery, can he still change his mind before it's too late? Will he? That's just one subplot amongst many. Some reviewers feel there are TOO many stories going on. I suggest they stick to lighter fare. Here’s a sampling of themes explored: Miraculous life-saving encounters; white/black relations; the rich/working class/poor divide; homelessness. Why do kids join gangs/become hoodlums? The challenges of a nigh romance-less marriage; the drive to improve one's living standards. Does violence in film escalate violence or is it simply a reflection of society? Does a filmmaker have a moral responsibility to society? Life-changing experiences that aren't so life-changing after all. How many split seconds do you have to make a left turn in downtown traffic? What do you do after miraculously finding/saving an infant? Divine intervention; matchmaking, blind dates and finding Mr. or Ms. "right”; the ripple-effect each person's actions have on others, revealing humanity's significance, which is contrasted by the idea that humanity is inconsequential compared to the Earth & Universe's timeless marvels, like the Grand Canyon itself. The picture obviously bites off a lot, but is well able to chew it. It bespeaks of real life and doesn't come off contrived at all. Take for example the teen's driving lesson: He makes a serious mistake and then pulls over. After his father explains a few things he attempts to start the vehicle which is ALREADY running. We've all done that. Another example would be the filmmaker’s beautiful redhead girlfriend Vanessa (Sarah Trigger): She's calm, happy and pleasant one moment but then suddenly starts crying (obviously provoked by a statement). A rambling and uncomfortable emotional rant ensues. It's real. Another example would be Claire's reaction when her son asks if she and Mack are getting a divorce. Shocked, she replies, "Why would you ask that?! Do we seem like a couple on the verge of divorce?" She KNOWS that her son wouldn't ask such a question unless he sensed there were problems in the marriage on some instinctual level. These are just three minor examples off the top of my head. I've heard some complain that there's no humor. Did we see the same movie? There's actually quite a bit of humor or, at least, amusing and light-hearted moments. (How could there not be with Steve Martin in the cast?). Even though the picture is essentially a serious drama I busted out laughing, snickering or smiling on several occasions. Scanning through the reviews you'll note that "Grand Canyon" is a love it or hate it piece. I love it. The acting is, for the most part, great and you really come to care for the characters; you care about the outcome of each of the story lines. One reviewer commented that "Grand Canyon" is a depressing film; he couldn't be more wrong. Yes, there are some disconcerting story elements, but watch it till the end. Other reviewers criticize Steve Martin playing a filmmaker with a beard. These people need to get a life; Martin was perfect for the role. I appreciate that “Grand Canyon" respects the intelligence of the viewer; it's not dumbed-down, nor is everything spelled out. Some things you have to read in-between-the-lines, others are left to the imagination. It also provokes you to ponder the numerous issues it addresses for days afterward. Few movies have this effect. In fact, there's so much to "Grand Canyon" that you'll get something new from the picture with each viewing. When the movie was originally released a New York Times critic it as the worst movie ever made (Why sure!). First of all, who cares what some moron from the NY Times says? The very fact that he writes for The Times tells you that his artistic judgment shouldn't be taken too seriously. Also, most critics hailed 2004's "Crash" as a masterpiece but it obviously borrowed much from "Grand Canyon”; the difference is that the latter is the better film. Although "Crash" has its merits "Grand Canyon" is more entertaining and actually inspiring rather than downbeat. "Grand Canyon" is a film of the most eminent order; a masterpiece. It runs 2 hours, 14 minutes, and was shot in the Los Angeles area. GRADE: A

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