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The Mastermind
The Mastermind

The Mastermind

20251h 50m★ 5.8犯罪ドラマ
MUBI

あらすじ

No synopsis available.

作品考察・見どころ

本作の最大の魅力は、ジョシュ・オコナーとアラナ・ハイムが放つ、静寂の中に潜む圧倒的な熱量にあります。犯罪という枠組みを借りつつ、そこで描かれるのは剥き出しの人間性と、微細な表情の変化が呼び起こす魂の震えです。二人の演技が織りなす繊細な緊張感は、言葉を超えた共鳴を生み出し、観客を深淵なる心理劇へと一気に引き込みます。 卓越した演出は登場人物の葛藤を雄弁に語り、ジャンル映画を超えた普遍的な問いを投げかけます。極限状態で浮き彫りになる倫理の境界線は、鑑賞者の心に鋭い爪痕を残すでしょう。スクリーンに刻まれる一分一秒が、未知の情動を呼び覚ます至高の映像体験として、あなたの感性を激しく刺激してやみません。

原作・関連書籍

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予告・トレイラー

配信サービス

サブスクリプション

MUBI

キャスト

ジョシュ・オコナー
ジョシュ・オコナー
James Blaine Mooney
Alana Haim
Alana Haim
Terri Mooney
ホープ・デイヴィス
ホープ・デイヴィス
Sarah Mooney
John Magaro
John Magaro
Fred
Gaby Hoffmann
Gaby Hoffmann
Maude
No Image
Jasper Thompson
Tommy Mooney
No Image
Sterling Thompson
Carl Mooney
Eli Gelb
Eli Gelb
Guy Hickey
Cole Doman
Cole Doman
Larry Duffy
No Image
Javion Allen
Ronnie Gibson

スタッフ・制作会社

監督: Kelly Reichardt

脚本: Kelly Reichardt

音楽: Rob Mazurek

制作: Neil Kopp / Vincent Savino / Anish Savjani

撮影監督: クリストファー・ブローヴェルト

制作会社: filmscience / MUBI

TMDB ユーザーのレビュー

nicless42
nicless42
★ 1

The absolute best thing you can say about this movie is that you will always know exactly what time it is while watching it. I have never looked at my watch more. In a movie named "The Mastermind" you'd be excused for expecting anything that required forethought. You would be disappointed. At best, the storyline of this movie was half completed before they gave up on it and just decided it was a good place to put some end credits. The music absolutely never matches the mood of the movie, and at one point you decide that the next time you see a person playing a drum set, you will in fact make them wear the snare drum. I've never been angry at background music before. This movie is beyond boring. Never see it. If someone suggests you watch it, stop being their friend.

CinemaSerf
CinemaSerf
★ 6

I wonder if the Frenchmen who just raided the Louvre in Paris maybe had a sneak preview screening of this, first? It’s all about the struggling “JB” (Josh O’Connor) who has come up with a cunning wheeze to raise some much needed cash seeing as his architect skills aren’t exactly in demand. There’s a modern art gallery in their town where the security guard is usually napping, and where the paintings are relatively poorly protected hanging on the walls. He decides to purloin four of them and then sell them on… Of course, the best laid plans and all that and though the robbery itself doesn’t prove so difficult, his choice of fellow felons soon means that his identity is no surprise to cops and (other) robbers alike. He’s going to have to split else he, and quite possibly his wife and two boisterous children, are in trouble. This has got to be the most glacially paced heist movie I have ever seen, and though O’Connor delivers well enough, there simply isn’t enough plot nor is there anything much to do for anyone else as the film turns into a sort of busman’s travelogue before an ending that didn’t really sit so well with me at all. It does have a very authentic look to it and the two young siblings deliver quite enthusiastically but Alana Haim simply hasn’t got very much to do as his wife “Terri” and I felt it just fizzled out far too early in it’s all but two hours duration. I watched this on my own in the cinema which is maybe a little unfair to it, but as I left I wasn’t really that surprised. One for the telly, I’d say.

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