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FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

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Millions
Millions

Millions

20051h 38m★ 6.4コメディ犯罪ドラマファミリー

あらすじ

No synopsis available.

作品考察・見どころ

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原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

興行成績

製作費: $7,500,000 (11億円)

興行収入: $11,782,282 (18億円)

推定収支: $4,282,282 (6億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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予告・トレイラー

キャスト

Alex Etel
Alex Etel
Damian
No Image
Lewis McGibbon
Anthony
James Nesbitt
James Nesbitt
Ronnie
Daisy Donovan
Daisy Donovan
Dorothy
Christopher Fulford
Christopher Fulford
The Man
エンゾ・シレンティ
エンゾ・シレンティ
St Francis
Alun Armstrong
Alun Armstrong
Saint Peter
No Image
Jane Hogarth
Maureen
Pearce Quigley
Pearce Quigley
Community Policeman
Nasser Memarzia
Nasser Memarzia
Saint Joseph

スタッフ・制作会社

監督: ダニー・ボイル

脚本: Frank Cottrell Boyce

音楽: ジョン・マーフィ

制作: David M. Thompson / Andrew Hauptman / François Ivernel

撮影監督: アンソニー・ドッド・マントル

制作会社: BBC Film / Mission Pictures / Inside Track 2 / Pathe

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

Alex Etel is really quite good in this daft tale of, almost literally, manna from heaven. It's the day before the UK joins the Euro (so, yes - it's a fantasy/horror story depending on your perspective) and from the sky falls a bag of used twenties. Hundreds of thousands of pounds worth. Now he ("Damian") and his pal "Anthony" (Lewis McGibbon) are honest sort of lads - though not take it to the police station sort of honest - and they decide that they can become the benefactors for some people and institutions who need a bit of help. Clearly, though - they can't distribute it all in time, so they gradually start to include their friends and family in the disposal of their largess and that's when the story starts to take on a more critical aspect. We see humanity in many of it's guises emanating when lucre is involved - and some of that behaviour isn't so charming. The writing is often quite pithily amusing - the young lad has an habit of talking to saints, to whom he attributes his windfall, and writer Frank Cottrell Boyce quite cleverly uses this innocence and generosity of spirit to create a template for a look at just how we react when money is the raison d'être - too little, too much, sharing, hoarding, stealing... This is a well delivered testament to the acting talents of the two youngsters and to a bit of amusing, though-provoking, writing that I would not say is especially memorable - but it is enjoyable.

tmdb51616167
tmdb51616167
★ 5

Recently, I decided to watch the movie "Millions," available on Disney+. I was unsure if it was an original Disney production or a film from another company that Disney acquired. Nevertheless, I had seen it on the platform multiple times and decided to give it a chance. The story follows two brothers who stumble upon a large sum of money. One brother wants to invest and grow the money, while the other brother starts seeing spirits of people from Jesus' time and feels compelled to donate the money to charitable causes. As the plot unfolds, the siblings clash over how to handle the newfound wealth, leading to a series of conflicts and decisions. The movie takes a peculiar turn when saints, apostles, and other spiritual figures begin appearing to communicate with one of the brothers. However, the narrative takes a surprising twist when it's revealed that the money was not a gift from God but rather the result of a robbery. This revelation shatters the boy's faith and leaves both the characters and the audience questioning the purpose of the spiritual encounters. The film's direction becomes muddled as it struggles to reconcile the spiritual themes with the materialistic elements of the story. The protagonist, already a spiritual and kind-hearted child, is left disillusioned by the origins of the money, raising doubts about the film's underlying message and the significance of the supernatural encounters. In the end, "Millions" appears to lose its focus, leaving viewers puzzled about the overall message and the relevance of the spiritual elements in the story. The film's attempt to blend spiritual themes with materialistic concerns ultimately leads to a disjointed and unsatisfying narrative.

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