

Sorda
あらすじ
No synopsis available.
作品考察・見どころ
興行成績
興行収入: $828,068 (1億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。


No synopsis available.
興行収入: $828,068 (1億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Eva Libertad
脚本: Eva Libertad
音楽: Aránzazu Calleja
制作: Miriam Porté / Nuria Muñoz Ortín / Adolfo Blanco
撮影監督: Gina Ferrer García
制作会社: Distinto Films / Nexus CreaFilms / A Contracorriente Films
Potter “Ángela” (Miriam Garlo) lives with “Hector” (Álvaro Cervantes) and is expecting their baby. She is deaf, something she acquired in childhood, and he a hearing man - and so with the arrival of their baby looming they are concerned about whether it will hear or not. Luckily, it is born able to hear ok - or at least that’s everyone’s initial reaction, but as the child grows up and associates with her own hearing family and her dad, “Ángela” begins to feel alone, ostracised, and occasionally vulnerable as she tries to lead a normal life of parenting in a world that rarely appreciates that she cannot hear what they are saying. Garlo delivers strongly here and the story certainly has a lot of valid points to make, but I found Cervantes to be rather weak and the narrative a bit confused - at times even melodramatic. This film seems to prefer to contrive situations, especially during the protracted childbirth scene and subsequently between the couple, that seem more designed to accentuate her/their difficulties than necessarily ring true for a supposedly well-established and loving couple. It does shine a powerful light on issues around awareness and integration but as a drama, it fell short for me. It’s worth a watch, but I felt it laboured it’s point and undercooked it’s characters.