FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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★ 7.8Soapドラマ

あらすじ

No synopsis available.

作品考察・見どころ

本作の真髄は、デジタルの利便性が一瞬で逃げ場のない監獄へ変わる戦慄のリアリティにあります。シャイア・ラブーフの鬼気迫る演技は、見えない支配者に翻弄される個人の焦燥と、そこから這い上がる生命力を体現しています。圧倒的なスピード感は、観る者の思考を奪い、テクノロジーの闇へと引きずり込む魔力に満ちています。 監視社会の極限を描きつつ、自由とは何かを問うメッセージは今こそ鋭さを増しています。システムの暴走を冷徹に描く一方で、極限状態で発揮される人間の絆をスリリングな映像美で昇華させた演出が見事です。利便性の代償を突きつける、現代人必見の情熱的なアクション・スリラーの傑作です。

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キャスト

Adela Noriega
Adela Noriega
Matilde Peñalver y Beristáin
Fernando Colunga
Fernando Colunga
Manuel Fuentes Guerra
Mauricio Islas
Mauricio Islas
Adolfo Solís
ヘレナ・ロホ
ヘレナ・ロホ
Augusta Curiel de Peñalver
Chantal Andere
Chantal Andere
Antonia Morales
Ernesto Laguardia
Ernesto Laguardia
Humberto Peñalver y Beristaín
Mariana Levy
Mariana Levy
Josefina de Icaza
Ana Bertha Espín
Ana Bertha Espín
Prudencia Curiel Vda. de Alonso
No Image
Yolanda Merida
Doña Juana Domínguez

スタッフ・制作会社

監督: Mónica Miguel

脚本: María Zarattini

制作: Carla Estrada

制作会社: Televisa

TMDB ユーザーのレビュー

John Chard
John Chard
★ 8

A timely reminder of what makes action/thriller movies fun. Jerry and Rachel are two strangers thrust together by a series of scenarios put together by a mysterious female caller. Under threat to their families and themselves, both Jerry & Rachel must overcome the most hazardous of situations. Intriguingly everything around them seems to be controlled by the female voice that guides them, but just why is the FBI so hot on their tail?, does Jerry's twin brother hold the key?. All will be answered as our protagonists hurtle towards something that may have deadly consequences for America. Big Brother gets a reboot and delivers as fun a genre picture as was released in 2008. Yes it's total nonsense, but really the critics venting spleen on this one must have gone through a popcorn entertainment bypass prior to viewing it. Director D.J. Caruso continues his Hitckcockian leanings by following his surprisingly fun "Disturbia" with this "North By Northwest" type concept that meets a host of the genre staples, where the influences are very hard to miss. Yet as daft as it is, and it is folks, "Eagle Eye" knits well together to play out as a highly accomplished piece, the action is first rate, in fact on big screens the two main sequences explode with joyous action abandon. This isn't found wanting on the thriller front either, it's safe to say that no new ground is to be found as we get to the tick tock countdown finale, but Caruso, and writers John Glenn & Travis Wright, have spliced together a series of wholly interesting and thrilling strands. So much so that the finale is disappointingly unable to quite deliver on the promise of the prior build up. Shia LaBeouf seemed destined to be a young actor who had to earn even the smallest bit of respect, where much like DiCaprio at the time, you felt LaBeouf was likely to get better notices later in his career. After being sidekicks to John McLaine, Indiana Jones, and erm, Optimus Prime, LaBeouf here earned his acting spurs and carries the film with a charm and credibility that the daftness of the piece doesn't quite deserve. Shia is helped enormously by a strong female lead, Michelle Monaghan has an impressive ability to sweat strength whilst channelling believable emotional turmoil, and her interplay with LaBeouf is the heartbeat of the picture. Of the rest, Michael Chiklis is a bit underused, but this is offset by Billy Bob Thornton continuing that knack of being one of the most watchable actors of his generation. Rosario Dawson is sadly weak in this and William Sadler is barely noticeable, conversely though a nod of approval goes to Anthony Mackie who shines in a crucial sequence towards the end. My first viewing was when I went to the cinema with the then two ladies in my life, we were a bit early and sat in the foyer for a while, we watched as they were queuing out the door for "High School Musical 3" and weird looking people were trundling in to see "Saw 5". There were a total of 12 people in the cinema to see "Eagle Eye" on its second week run, at a peak viewing time as well. That was a damn shame because "Eagle Eye" may well be a dumb and fun action/thriller picture, but it's not pro-porting to be anything else, and really film's with honest entertainment intent are to be treasured and used for why they are made for in the first place. "Eagle Eye" is made for those who want to shut off from the world for a couple of hours, and in doing so have an energised blast in the process. 7.5/10

Gimly
Gimly
★ 4

The most interesting part of the film is dropped not long after the film's act two reveal, and a film that seemed "not great, but promising", ended up losing its promise. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._

Kamurai
Kamurai
★ 8

Great watch, would watch again, and can recommend. This is an interesting mix of science fiction and science fact. We could absolutely have technology like this and not know it because....why would anyone tell us that they have it? The craziness of the action with naivety of the characters we follow make for a great spy movie with NO SPYING! So it hits a personal note of satisfaction for me. It really feels like all the good "operator in my ear" moments from the Matrix, with a good mystery plot thrown in.

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