

少女は自転車にのって
あらすじ
行動力のある10歳の少女の夢は自転車を手に入れ、友達と競争すること。女性が自転車に乗ることすら許されない国で、彼女が考えた夢を叶える方法とは…。
作品考察・見どころ
興行成績
興行収入: $6,499,169 (10億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。


行動力のある10歳の少女の夢は自転車を手に入れ、友達と競争すること。女性が自転車に乗ることすら許されない国で、彼女が考えた夢を叶える方法とは…。
興行収入: $6,499,169 (10億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ハイファ・アル=マンスール
脚本: ハイファ・アル=マンスール
音楽: Max Richter
制作: Roman Paul / Gerhard Meixner
撮影監督: Lutz Reitemeier
制作会社: Razor Film Produktion / Highlook Communications Group / Rotana Film Production / Dubai Entertainment and Media Organization / Abu Dhabi Film Commission / ILB Investitionsbank desLandes Brandenburg
"Wadjda" (Waad Mohammed) really only has one thing on her mind. She's fed up being teased by her friend "Abdullah" (Abdullrahman Al Gohani) on his bike, and so decides it's time she gets one - a nice new green one - for herself. Though she broadly adheres to the rules at her Riyadh school, this is a young individual who is not going to be put off too much by convention and so she devises quite a cunning plan to fund her grand design. She is going to win the first prize in the school's Koranic recital competition. Her dad works shifts and so is often not at home, but her loving mother (Reem Abdullah) is concerned that this conservative neighbourhood will frown upon a ten year old girl on her chopper, so she puts her foot down. Undeterred, and seeing some positives as she ingratiates herself with teacher "Ms. Hissah" (Ahd), "Wadjda" perseveres with her challenge. Can she win one prize and get her other, though? This is a fairly subtly delivered but still quite potent indictment of womanhood in Saudi Arabia. Whist not exactly treated like commodities or chattels, their access to simple freedoms of dress, movement and even play are quite rigidly restricted. What is also quite striking about this, is that it is actually other women who are trying to impress on this young girl the importance of complying. Of not rocking the dhow, if you like - and I thought the engaging young Mohammed played her part mischievously but respectfully as her rebellion was not about undermining their faith or their culture, but about a childish desire to beat her male friend (whom she probably wouldn't be allowed to keep for much longer, anyway) in a bicycle race. There's loads of charm here and that's effectively employed to deliver a message that is well worth consideration, as are a few touching performances.