スウェランディア王国のユリアン王子は、すべての淑女の憧れの的。母レベッカの再婚でこの国にやってきたエルヴィラもまた、王子の花嫁になることを夢見ていた。新しい家族となった義妹アグネスは美しい女性だが、一方のエルヴィラは矯正器具に覆われた口元、ふくよかな体形、こじんまりとした鼻、つぶらな瞳という控えめな容姿だった。そんな中、アグネスの父が急逝したことで事態は一変。レベッカはアグネスを貶め、エルヴィラを王子の花嫁にするため、手段を選ばず彼女に美を施していく。やがて、王子の花嫁候補を集めた舞踏会が開かれるが……。
製作費: $4,250,000 (6億円)
興行収入: $5,325,096 (8億円)
推定収支: $1,075,096 (2億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
音楽: John Erik Kaada / Vilde Tuv
制作: Maria Ekerhovd / Jesper Morthorst / Christian Torpe
撮影監督: Marcel Zyskind
制作会社: Mer Film / Lava Films / MOTOR / Scanbox Production / Zentropa International Sweden / Mediefondet Zefyr / Film i Väst
Now I don’t suppose you’d have kicked “Prince Julian” (Isac Calmroth) out of bed for eating herring, but right from the start this apple of everyone’s eye looks distinctly dull! I’m not sure that the besotted “Elvira” (Lea Myren) realised that when she embarked on quite a tortuous make-over to turn her chubby and buck-toothed body into something that might turn the head of this royal highness, but needs must when the debt collectors are circling. This is probably the most grotesque take on the “Cinderella” story you are ever like to see, as it pretty graphically shows the life of this young girl, her stepsister, her mother and her downright cruel Svengali who thinks nothing of stitching her eyelids on or rearranging her teeth - without, of course, any anaesthetic. Where this also drifts away from the more traditional approach is the venality of the whole thing. “Elvira” is certainly a victim of greed, but it’s more a sort of uneducated and vulgar kind from her guardian rather than anything more spiteful or hateful. Moot point? Well, not really as in the end it is actually quite difficult to actually loathe this family desperate to climb the silky pole. I almost felt sorry for all of them. It’s gory, there’s a fair smattering of sex and our princeling can even turn his hand to poetry - though not the stuff that Yeats might have to worry about. The production has been eerily and effectively crafted with plenty of detail in the settings and costumes, and the overall message of style over substance and social and sexual conformity is writ large throughout. It turns out that there are more ways than one to get your foot in that slipper, and not all of this will be for the squeamish. I enjoyed this dark, occasionally comedic and poignant look at just what we’ll do to for love, lust and lucre.
