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Charlotte Gray
Charlotte Gray

Charlotte Gray

20012h 1m★ 6.1ドラマ履歴ロマンス戦争

あらすじ

No synopsis available.

作品考察・見どころ

ケイト・ブランシェットが静謐な演技に秘めた凄まじい覚悟が本作の核です。占領下のフランスという極限状態で彼女が見せる微細な表情は、自らを問い続ける切実な魂の叫びを体現しています。情感豊かな風景と格調高い映像美は、観る者を当時の張り詰めた空気の中へと一気に引き込みます。 単なる戦争秘話に留まらない、自己犠牲の先にある人間性の回復こそが真のテーマです。ビリー・クラダップやマイケル・ガンボンとの緊張感溢れる競演は、愛と裏切りを残酷なまでに美しく昇華させました。歴史の渦で自らの意志を貫く女性の気高さが、心に深く突き刺さる至高の人間ドラマです。

興行成績

興行収入: $741,394 (1億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ケイト・ブランシェット
ケイト・ブランシェット
Charlotte Gray
ビリー・クラダップ
ビリー・クラダップ
Julien Levade
マイケル・ガンボン
マイケル・ガンボン
Levade
Rupert Penry-Jones
Rupert Penry-Jones
Peter Gregory
Anton Lesser
Anton Lesser
Renech
James Fleet
James Fleet
Richard Cannerly
Abigail Cruttenden
Abigail Cruttenden
Daisy
No Image
Charlotte McDougall
Sally
Robert Hands
Robert Hands
Borowski
Nicholas Farrell
Nicholas Farrell
Mr. Jackson

スタッフ・制作会社

監督: Gillian Armstrong

脚本: セバスチャン・フォークス / Jeremy Brock

音楽: Stephen Warbeck

制作: Robert Bernstein / Sarah Curtis / Douglas Rae

撮影監督: Dion Beebe

制作会社: Ecosse Films / Pod Films / Senator Film / Film4 Productions / Charlotte Gray Productions

TMDB ユーザーのレビュー

Wuchak
Wuchak
★ 7

**_Cate Blanchett joins the French Resistance during WW2_** Shot in 2001, this was based on Sebastian Faulks’ 1998 novel. Contrary to what some say, the titular character was not based on Nancy Wake's real-life exploits. The author has plainly stated this. Perhaps he was inspired a bit by the New Zealander's story to create the one he wanted to tell, but that's about it. As with practically any book-to-film adaptation, there are alterations as the exposition of the novel is jettisoned to fit the story into a 2-hour timeframe. The flick debuted seven months after “Pearl Harbor” and there are slight similarities in regards to the romantic dalliances. “Cold Mountain” came out two years later and, again, there are slight parallels. Bits of “Operation Daybreak” (1975) also come to mind, as well as “The Eagle Has Landed,” not to mention it shares the general milieu of Tarantino’s “Inglorious Basterds.” It's the least of these IMHO, mainly because the dramatics aren’t as compelling as they could be, but nevertheless it delivers the goods if you’re inclined toward a WW2 yarn that focuses on peripheral events rather than conventional battles. The sometimes awe-inspiring locations are authentic and the décor & costumes convincing; plus, there’s an exquisite sense of artistry in the cinematography. Armchair criticisms of the film are easily explained away. For instance, Roger Ebert complained that Charlotte's presence wasn't necessary to take down the train carrying German arms. Answer: The Resistance fighters would constantly need to train new people since so many of them were being betrayed and killed. He also objected to the German soldier not shooting the protesting Julien as they paraded into the city, but he forgot that that sequence occurred in the "free zone" of southern France in 1942, not the military-occupied northern part of the country. Sure, in the north Julien would've been shot on the spot, but in the south the collaborationist Vichy regime was still in control and German soldiers were instructed accordingly. I shouldn’t fail to mention that Michael Gambon has a key role and brings to mind Albert Finney in his old age. It was shot mostly in south-central France (Saint-Antonin-Noble-Val), but also Scotland (Glenfinnan Viaduct, Fort William) and the London area, including Pinewood Studios. GRADE: B/B-

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