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Salty O'Rourke
Salty O'Rourke

Salty O'Rourke

19451h 40m★ 5.7ドラマ

あらすじ

No synopsis available.

作品考察・見どころ

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スタッフ・制作会社

監督: Raoul Walsh

脚本: Milton Holmes

音楽: Robert Emmett Dolan

制作: E.D. Leshin

撮影監督: Theodor Sparkuhl

制作会社: Paramount Pictures

口コミ

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キャスト

Alan Ladd
Alan Ladd
Salty O'Rourke
Gail Russell
Gail Russell
Barbara Brooks
William Demarest
William Demarest
Smitty
Stanley Clements
Stanley Clements
Johnny Cates
Bruce Cabot
Bruce Cabot
Doc Baxter
Spring Byington
Spring Byington
Mrs. Brooks
Rex Williams
Rex Williams
Babe
Darryl Hickman
Darryl Hickman
Sneezer
Marjorie Woodworth
Marjorie Woodworth
Lola
Don Zelaya
Don Zelaya
Hotel Proprietor

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

The suit he wears and the part he plays are just too big for a lacklustre Alan Ladd in this caper, but it is rescued to an extent by a lively effort from Stanley Clements as his wide-boy jockey “Johnny”. “Salty” (Ladd) is in hock to his bookie “Baxter” (Bruce Cabot) for twenty big ones, and with only thirty days to settle up, he’s in desperate straits. He does, however, have an horse and a best pal/trainer “Smitty” (William Demarest) and so all he needs is a light-weight lad to steer their way across the winning line. Initially, the already banned young “Johnny” is up for the task - he likes the sound of the $13,000 he will get for winning, but he’s a recalcitrant kid who rebels by nature. That comes to an head when they tell him he has to go to school. He hates that idea, sasses the teacher (Gail Russell) and is promptly expelled. It falls to “Salty” to get him reinstated and that’s when he meets the teacher and swiftly wants more than an apple. So does “Johnny”. A love triangle, develops, but let’s just say it isn’t equilateral - and that leaves “Salty” vulnerable to the scheming “Baxter” making the impressionable young man a counter-offer. Who will prevail? This is quite a good story with a decent scenario underpinning it, but why on earth did anyone cast Alan Ladd in any role other than the back end of the horse? He brings little charisma to the film and even less to the rapport with the equally unimpressive Russell who rather earnestly out-whinnies the horses (that we very rarely see). The conclusion is rushed and it has a certain clinical brutality to it that made me dislike the leading couple even more. It doesn’t hang around and when Clements is doing his best Mickey Rooney it works well. Otherwise, it’s a flat race rather than a hurdle.

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