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New York, New York
New York, New York

New York, New York

19772h 43m★ 6.5ロマンスドラマ音楽

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

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興行成績

製作費: $14,000,000 (21億円)

興行収入: $16,400,000 (25億円)

推定収支: $2,400,000 (4億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ライザ・ミネリ
ライザ・ミネリ
Francine Evans
ロバート・デ・ニーロ
ロバート・デ・ニーロ
Jimmy Doyle
Lionel Stander
Lionel Stander
Tony Harwell
Barry Primus
Barry Primus
Paul Wilson
Mary Kay Place
Mary Kay Place
Bernice Bennett
George Memmoli
George Memmoli
Nicky
ディック・ミラー
ディック・ミラー
Palm Club Owner
Murray Moston
Murray Moston
Horace Morris
Leonard Gaines
Leonard Gaines
Artie Kirks
Clarence Clemons
Clarence Clemons
Cecil Powell

スタッフ・制作会社

監督: マーティン・スコセッシ

脚本: Earl Mac Rauch / Mardik Martin / Fred Ebb

音楽: John Kander

制作: Robert Chartoff / アーウィン・ウィンクラー

撮影監督: László Kovács

制作会社: United Artists / Chartoff-Winkler Productions

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

Much is made of whether or not this is one of Martin Scorsese’s weaker efforts but I think that’s to appraise the wrong talent here. The star of the whole thing is the charismatic chanteuse “Francine” (Liza Minnelli). She a bit of a dreamer who encounters the opportunist sax player “Jimmy” (Robert De Niro) at a party in New York that is celebrating VJ Day in 1945. She isn’t much interested in the patter he has been trolling out to every woman he has met all evening, but a combination of circumstances see the two spending an increasing amount of time together and gradually falling in love. Both have their individual ambitions, too, though, and as she begins to find success thanks to a supportive producer and he likewise with his new jazz venue, their relationship is destined to be bumpy and probably short-lived. The story itself really isn’t much to write home about, nor is the style of production that suggests Bob Fossé-light from start to finish. It’s the Kander and Ebb songs from the pitch-perfect Minnelli and some equally smoky and classic music from the likes of Clarence Clemons that submerges us in a post-war city desperate for dreams, and for dreams that can come true! Moreover, it illustrates quite clearly that nice doesn’t always win, ruthless is usually the last to leave the party and that the lyrics of “New York, New York” are a potent assessment of a place where nobody ever sleeps, because they are trying to burrow the bed from under someone else. The last half hour is really just a well choreographed series of numbers from a star whom De Niro charmingly but sparingly complements, and to be honest I found it more a film I could listen to that watch. Big screen audio does the trick but if you are not into musical theatre, then maybe don’t bother.

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