FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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誰かが狙っている
誰かが狙っている

誰かが狙っている

19601h 48m★ 6.6謎スリラー

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

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興行成績

興行収入: $7,400,000 (11億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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キャスト

Doris Day
Doris Day
Kit Preston
Rex Harrison
Rex Harrison
Anthony Preston
John Gavin
John Gavin
Brian Younger
Myrna Loy
Myrna Loy
Aunt Bea
Roddy McDowall
Roddy McDowall
Malcolm
Herbert Marshall
Herbert Marshall
Charles Manning
Natasha Parry
Natasha Parry
Peggy Thompson
Hermione Baddeley
Hermione Baddeley
Dora Hammer
John Williams
John Williams
Inspector Byrnes
Richard Ney
Richard Ney
Daniel Graham

スタッフ・制作会社

監督: David Miller

脚本: Janet Green / Ivan Goff / Ben Roberts

音楽: Frank Skinner

制作: Martin Melcher / Ross Hunter

撮影監督: Russell Metty

制作会社: Arwin Productions / Universal International Pictures / Ross Hunter Productions

TMDB ユーザーのレビュー

John Chard
John Chard
★ 7

Matilda Shouted Fire. Midnight Lace is directed by David Miller and adapted to screenplay by Ivan Goff and Ben Roberts from the play Matilda Shouted Fire by Janet Green. It stars Doris Day, Rex Harrison, John Gavin, Myrna Loy, Roddy McDowall and Herbert Marshall. Music is by Frank Skinner and cinematography by Russell Metty. Kit Preston (Day) is being stalked, but she can’t get anyone to believe her. Is she going mad? The “woman in peril” thriller has always proved popular since the advent of film, Midnight Lace may not have the class or menace of something like Gaslight or the best of Hitchcock, but it’s a splendid mystery thriller yarn. Pic sets its goals out from the start, as the delightful Miss Day is pursued through the pea souper fog by person unseen. Then the phone calls start, a weird voice at the end of the line issuing less than complimentary advice, but nobody is sure if she is really suffering these harassments. So, enter a whole ream of suspects from weasels and schemers to the unbalanced and the too suave to be true, red-herrings now rule the roost and it’s great fun. As things progress Kit’s hysteria goes up a notch at a time until it’s all out psychological bedlam. The big reveal is not exactly a surprise, but the enjoyment was in getting there. Unfortunately the production loses points for some sloppy editing and poor design for the London setting, the latter rendering the already fanciful story a fake feel that’s hard to shake off, the theatrical origins evident for sure. Which is a shame because Metty's photography is sublime, the principal colours positively spanking (check out those greens). Still, Harrison and Day can pretty much sell these characters in their sleep, and they are backed up by Gavin and Loy enjoying themselves. It makes up for what it doesn’t have in atmospherics or freshness of formula, with honest to goodness entertainment values. 7/10

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