FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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ハリー・ポッターと死の秘宝 Part2
ハリー・ポッターと死の秘宝 Part2

ハリー・ポッターと死の秘宝 Part2

“これが最後。”

20112h 10m★ 8.1アドベンチャーファンタジー

あらすじ

魔法界における善と悪の間で起こる戦いは本格的な交戦へとエスカレートする。この争いは今までで最も危険なものであり、もはや誰の身も安全ではない。しかしながらヴォルデモートとの最終決戦の時、最後の犠牲を払わなければならないのはハリー・ポッターなのである。 そして、ここに全てが終結する。

作品考察・見どころ

本作は十年の旅路の終着点であり、単なる魔法映画の枠を超えた「死と再生」の叙事詩です。見どころは、運命を背負った少年たちが大人へと脱皮する瞬間の痛みと誇り高い精神性です。キャスト陣の魂を削るような熱演、特に静謐な表情の中に秘められた深い愛の表現は、観客の心を激しく揺さぶります。 重厚な映像美は「勇気」という概念に圧倒的な実体感を与えています。ハリーと宿敵が対峙する際の視覚効果は、長年の因縁を象徴する見事な芸術表現です。喪失を乗り越え自ら未来を掴む彼らの姿は、観る者の人生に寄り添う一筋の光となるはずです。

興行成績

製作費: $125,000,000 (188億円)

興行収入: $1,341,511,219 (2012億円)

推定収支: $1,216,511,219 (1825億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ダニエル・ラドクリフ
ダニエル・ラドクリフ
Harry Potter
エマ・ワトソン
エマ・ワトソン
Hermione Granger
ルパート・グリント
ルパート・グリント
Ron Weasley
レイフ・ファインズ
レイフ・ファインズ
Lord Voldemort
アラン・リックマン
アラン・リックマン
Severus Snape
マイケル・ガンボン
マイケル・ガンボン
Albus Dumbledore
ワーウィック・デイヴィス
ワーウィック・デイヴィス
Griphook / Filius Flitwick
ヘレナ・ボナム=カーター
ヘレナ・ボナム=カーター
Bellatrix Lestrange
Ciarán Hinds
Ciarán Hinds
Aberforth Dumbledore
Matthew Lewis
Matthew Lewis
Neville Longbottom

スタッフ・制作会社

監督: デヴィッド・イェーツ

脚本: J・K・ローリング / Steve Kloves

音楽: アレクサンドル・デスプラ

制作: デヴィッド・バロン / J・K・ローリング / デヴィッド・ハイマン

撮影監督: Eduardo Serra

制作会社: Warner Bros. Pictures / Heyday Films

TMDB ユーザーのレビュー

John Chard
John Chard
★ 8

It is the quality of one's convictions that determines success, not the number of followers. So here it is, the 8th and final instalment of a film franchise that has lasted 10 years and runs at just under 20 hours in total. Following straight on from the frustratingly incomplete scene setter that was Deathly Hallows Part 1, we continue to track Harry, Hermione and Ron as they search for the remaining Horcruxes that will render the evil Lord Voldermort as a mere mortal. This narrative thread is run concurrently with the Voldermort movements, where he now has in his possession The Elder Wand (the wand to rule them all) and has gathered a vast army to descend upon Hogwarts and achieve his ultimate goal of killing Harry. Meanwhile vital character story arcs are filled in and secrets will out... David Yates directs and Steve Kloves adapts to the screen, both of whom were perfect choices given their considerable input to the series. Smartly the pic has been kept to a 2 hour and 10 minute run time, and thankfully it flows nicely and the pace never stalls. Being one of those who has never read the books I can't say what has been left out or if anything has been tampered with for dramatic licence? What I know for sure is that the emotional investment garnered from being with this story for so long, to be part of these characters lives, watching them grow, ensures that this closure piece pounds the senses. Sitting down to watch it you realise that we are going to lose people we care for, and Hogwarts, the wonderful place we fist glimpsed across the night time water, is going to be attacked and reduced to a battle scarred place of war. As the effects work dazzles and the one time child actors come shining through as mature actors who have casted off previous wooden traits, the story filling strands show just what wonderful work Rowling achieved on the page. Some of the characters never stood a chance in life, some carried deep emotional scars, and others held secrets so crucial to the whole Potter universe. For a series of such fantastical genre sparkle, the Harry Potter world eventually reveals itself to be a deep and fortified humanist drama, and engaging it most certainly is. That this is achieved as battlefield carnage is raised, with wand wars booming up on the screen, it means credit is due to all involved the making of such a cherished and intensely followed Octalogy. Is it the earth shattering finale one hoped for? Well not quite. Story wise for sure that is the case, but with the whole story driving towards the final battle between Harry and Voldermort, it's disappointing to find it's rather brief and in truth anti climatic. Harry the boy now burgeoning into a man versus the snake faced despot surely should have been a crowning glory, but sadly not so. To compound this irritating disappointment, we then get the epilogue that is bogged down by aging make-up design that is almost laughable. But these are just annoyances, not film killers, for this has been a magical ride for 10 years. Fans will feel a gap in the heart now it's over, maybe even shed a Snape like tear as well? Yet ultimately it has been a triumph and the rewatchable factor for the whole series will always remain high. 8/10

John Chard
John Chard
★ 8

It is the quality of one's convictions that determines success, not the number of followers. So here it is, the 8th and final instalment of a film franchise that has lasted 10 years and runs at just under 20 hours in total. Following straight on from the frustratingly incomplete scene setter that was Deathly Hallows Part 1, we continue to track Harry, Hermione and Ron as they search for the remaining Horcruxes that will render the evil Lord Voldermort as a mere mortal. This narrative thread is run concurrently with the Voldermort movements, where he now has in his possession The Elder Wand (the wand to rule them all) and has gathered a vast army to descend upon Hogwarts and achieve his ultimate goal of killing Harry. Meanwhile vital character story arcs are filled in and secrets will out... David Yates directs and Steve Kloves adapts to the screen, both of whom were perfect choices given their considerable input to the series. Smartly the pic has been kept to a 2 hour and 10 minute run time, and thankfully it flows nicely and the pace never stalls. Being one of those who has never read the books I can't say what has been left out or if anything has been tampered with for dramatic licence? What I know for sure is that the emotional investment garnered from being with this story for so long, to be part of these characters lives, watching them grow, ensures that this closure piece pounds the senses. Sitting down to watch it you realise that we are going to lose people we care for, and Hogwarts, the wonderful place we fist glimpsed across the night time water, is going to be attacked and reduced to a battle scarred place of war. As the effects work dazzles and the one time child actors come shining through as mature actors who have casted off previous wooden traits, the story filling strands show just what wonderful work Rowling achieved on the page. Some of the characters never stood a chance in life, some carried deep emotional scars, and others held secrets so crucial to the whole Potter universe. For a series of such fantastical genre sparkle, the Harry Potter world eventually reveals itself to be a deep and fortified humanist drama, and engaging it most certainly is. That this is achieved as battlefield carnage is raised, with wand wars booming up on the screen, it means credit is due to all involved in the making of such a cherished and intensely followed Octalogy. Is it the earth shattering finale one hoped for? Well not quite. Story wise for sure that is the case, but with the whole story driving towards the final battle between Harry and Voldermort, it's disappointing to find it's rather brief and in truth anti climatic. Harry the boy now burgeoning into a man versus the snake faced despot surely should have been a crowning glory, but sadly not so. To compound this irritating disappointment, we then get the epilogue that is bogged down by aging make-up design that is almost laughable. But these are just annoyances, not film killers, for this has been a magical ride for 10 years. Fans will feel a gap in the heart now it's over, maybe even shed a Snape like tear as well? Yet ultimately it has been a triumph and the rewatchable factor for the whole series will always remain high. 8/10

CinemaSerf
CinemaSerf
★ 8

I can only marvel at the imagination of JK Rowling as this final instalment of our 10 year journey with Harry, Ron and Hermione reaches a fitting climax. Still continuing on their search for the remaining horcruxes, they must use all of their skills and intrepidity before "Voldemort" finally returns to wreak havoc on their (and our) world. Radcliffe, Grint and Watson are very much comfortable in the parts now and that shows - their confidence and assuredness adds bundles to the cracking script and well paced direction from David Yates. Not just the three stars, but others we have seen for many of the series come into their own - Dame Maggie Smith ("Prof. McGonagall") gets some wand action, as does Julie Walters with a cracking duel with Helena Bonham-Carter's "Bellatrix Lestrange"; the magical effects are superb and the multiple threads all tie together well. Did it need to be two films? I suspect that the audience probably benefited from this in two instalments, but a director's cut of the whole thing in one fell swoop could make for an epic piece of cinema. Great stories, characters and a vivid imagination - a most enjoyable ride!

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