ウォーフェア戦地最前線

ウォーフェア戦地最前線

ウォーフェア戦地最前線

20251h 35m★ 7.1戦争アクション

あらすじ

＜極限の95分、映画史上最もリアルな戦場に、あなたを閉じ込める＞ 2006年、イラク。監督を務めたメンドーサが所属していたアメリカ特殊部隊の小隊８名は、危険地帯ラマディで、アルカイダ幹部の監視と狙撃の任務についていた。ところが事態を察知した敵兵から先制攻撃を受け、全面衝突が始まる。反乱勢力に完全包囲され、負傷者は続出。救助を要請するが、さらなる攻撃を受け現場は地獄と化す。本部との通信を閉ざした通信兵・メンドーサ、指揮官のジョーは部隊への指示を完全に放棄し、皆から信頼される狙撃手のエリオット（愛称:ブージャー･ブー(鼻くそブーの意)）は爆撃により意識を失ってしまう。痛みに耐えきれず叫び声を上げる者、鎮痛剤のモルヒネを打ち間違える者、持ち場を守らずパニックに陥る者。彼らは逃げ場のない、轟音鳴り響くウォーフェア（戦闘）から、いかにして脱出するのか。

作品考察・見どころ

本作の最大の魅力は、戦場の残酷なまでのリアリズムを徹底して追求した没入感にあります。カメラワークは兵士たちの荒い息遣いまでをも捉え、観客を最前線の混沌へと引きずり込みます。単なる戦争アクションの枠を超え、極限状態に置かれた人間が直面する倫理的葛藤や、静かな狂気を浮き彫りにする演出は圧巻の一言です。ウィル・ポールターをはじめとする若手実力派たちが魅せる、生々しい演技の応酬からも目が離せません。極限下の恐怖と友情、そして失われていく人間性が交錯する瞬間を、彼らは繊細かつ力強く体現しています。暴力の連鎖の中で揺れ動く魂の叫びは、観る者の倫理観を激しく揺さぶり、戦争という不条理の本質を深く突き刺してくるでしょう。

興行成績

製作費: $20,000,000 (30億円)

興行収入: $33,649,631 (50億円)

推定収支: $13,649,631 (20億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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CinemaSerf

CinemaSerf

★ 7

A squad of American soldiers seemingly randomly select an house in Ramadi and having relocated it’s sleeping occupants to the ground floor, set up a sniper station from where they can monitor the goings on around them. Initially, this all looks harmless enough as the Iraqi locals go about their business, but gradually the spotters become suspicious of repetitive activity, the odd person who seems to be snooping on them - and then, well all hell breaks loose leaving them facing an existential threat that will test their mettle, their equipment and require some feats of legerdemain if they are to survive long enough to be rescued. There is quite some intensity to this drama as the young men under siege must each deal with their fears, strengths and weaknesses under a constant stream of fire. Will Poulter’s “Erik” leads the team, but the best effort for me came from his comms man “Ray” (D’Pharoah Woon-A-Tai) and, though sparingly, from Kit Connor’s rookie “Tommy” who, like us watching, had no idea what they were doing in this house and what the purpose of their mission actually was in the first place. There isn’t so much a script as an increasingly nervous dialogue that disintegrates as their predicament becomes more perilous and the photography and particularly the audio serve really well in conveying a sense of the lethally claustrophobic atmosphere in which these men had to function. Real veterans wrote the story, advised the production and that shows in something that is certainly incomplete from a narrative perspective, but is uncomfortably enthralling to watch and graphically displays the horrors of urban warfare.

r96sk

r96sk

★ 8

<em>'Warfare'</em> ends up as expected: bleak and miserable. The sound design is truly outstanding, such fine work ensures that you hear and feel everything. The plot being told in real time makes it rather captivating too, the tone of either trepidation or torment is omnipresent. Well, I say omnipresent, that's taking out the opening scene. I was not expecting that! Very fun though and a good way to show a snapshot of the camaraderie. It shouldn't work because it's not like it matches the rest of the film, but I gotta say I really loved it. What a tune, by the way. It's a fairly stacked cast list, from Will Poulter to Joseph Quinn to Charles Melton to Michael Gandolfini to D'Pharaoh Woon-A-Tai. No-one actually stands out individually, but I think that's entirely a good thing because it obviously isn't a story about any one person - it's about all of them.

MovieGuys

MovieGuys

★ 7

"Warfare" is as simple a statement as you can get, on the reality of conflict. Warfare can be dull, even bureaucratic, with its own language, spoken over radio in codes. Equally, its frenetic, violent and horribly visceral. We see all of these aspects of war, in this film. I'll admit its depressing, sad, underlining in blood, the wastefulness of war. Mind you, that's what war is. Not heroic, symphonic, grandiose. Suffice to say, I liked this film. Its unpretentious and makes you question, not only the need for war but attempts to make it appear noble, when clearly, its nothing of the kind. In summary, a realistic portrayal of the true face of war. Something every young person, thinking of joining the military, should watch.

Manuel São Bento

Manuel São Bento

★ 7

FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/warfare-movie-review-garland-and-mendoza-strip-the-genre-to-its-rawest-form/ "Warfare is a film you admire more than you enjoy. Its anti-narrative structure, slow pacing, and lack of strong central figures make it difficult to revisit - but impossible to forget. It's a remarkable display of technical realism, a brutally honest recreation of a war zone, and a testament to cinema's power when it refuses to play by the rules. Alex Garland and Ray Mendoza may not have crafted a universally captivating masterpiece, but they've created something undeniably authentic. And sometimes, that's enough." Rating: B

stipend

stipend

★ 4

Difficult to not notice a typical Netflix/Prime budget canvas. forces you to admit all happening in one room one street or just in your imaginations. Lost patient, tried fast forward several times but nothing really changes or happens. Seems like all high rating are for the real incident and to real soldiers. Sorry this is the review of a movie like any other movie.