スリーメン & ベビー
あらすじ
No synopsis available.
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $11,000,000 (17億円)
興行収入: $242,780,960 (364億円)
推定収支: $231,780,960 (348億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $11,000,000 (17億円)
興行収入: $242,780,960 (364億円)
推定収支: $231,780,960 (348億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: レナード・ニモイ
脚本: James Orr / Jim Cruickshank / Coline Serreau
音楽: マーヴィン・ハムリッシュ
制作: ロバート・W・コート / テッド・フィールド / Jean-François Lepetit
撮影監督: Adam Greenberg
制作会社: Touchstone Pictures / Interscope Communications / Silver Screen Partners III
"Jack" (Ted Danson), "Michael" (Steve Guttenburg) and "Peter" (Tom Selleck) live the lives of three reasonably well-off bachelors until they open the door one morning to find a little bundle of joy complete with a note declaring that "Jack" is the father and that the young girl is all their's! Panic sets in but being men of the world, they quickly adapt (!?!) to parenting with all the right nappies, milk bottles - indeed, you name it and they get it wrong! To add to their woes, another knock at their door reveals that a couple of hoodlums are after another sort of powdery mixture and are convinced that these three have it. What now ensues plays just a bit too much to stereotype for me. The baby does way too much irritating screaming - authentic, I know, but not after ten minutes in a cinema! I can't usually tell Danson and Selleck apart at the best of times and Guttenburg seems to add little to the rather far-fetched dynamic that is cluttered rather than augmented by the gangster thread, then a court hearing, then some antics on a construction site. The original concept is the best thing about it but the execution is over-scripted and just too contrived to stay entertaining beyond the first twenty minutes.
