FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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The Virginian
The Virginian

The Virginian

19461h 27m★ 6.2西洋

あらすじ

No synopsis available.

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原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

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キャスト

Joel McCrea
Joel McCrea
The Virginian
Brian Donlevy
Brian Donlevy
Trampas
Sonny Tufts
Sonny Tufts
Steve Andrews
Barbara Britton
Barbara Britton
Molly Wood
William Frawley
William Frawley
Honey Wiggen
Fay Bainter
Fay Bainter
Mrs. Taylor
Henry O'Neill
Henry O'Neill
Mr. Taylor
Tom Tully
Tom Tully
Nebraska
Bill Edwards
Bill Edwards
Sam Bennett
Paul Guilfoyle
Paul Guilfoyle
Shorty

スタッフ・制作会社

監督: Stuart Gilmore

脚本: Albert Hackett / Frances Goodrich / Howard Estabrook

音楽: ダニエル・アンフィシアトロフ

制作: Howard Estabrook

撮影監督: Harry Hallenberger

制作会社: Paramount Pictures

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

To give her her due, "Molly" (Barbara Britton) is full of vim and vigour as she arrives at a remote outpost town to take up a post teaching it's kids. The law has yet to arrive in this place, so they have their own hands-on approach to those who break their fairly simple rules. That's the start of her problems as she meets "Steve" (Sonny Tufts) and the enigmatically monikered "Virginian" (Joel McCrea). The former is mixed up with some castle rustlers and their leader "Trampas" (Brian Donlevy) whilst the latter has been charged with clearing these criminals out of town. He and "Steve" are friends of old, and he even warns his pal to stop putting fake brands on the cattle, but in the end you just know that it's all going to come down to a reckoning with "Trampas" and his men. There is something disappointingly pedestrian about this whole ninety minutes. McCrae just isn't at the races and the black-clad Donlevy is about as menacing as "Daffy Duck" as he waddles about the saloon in as unmenacingly fashion as possible. The story ebbs and and flows in a predicable fashion but there's nowhere near enough action to engage, and what there is tends to fall flat as we head to a really quite lacklustre denouement that has as much to do with a stray horse as it has with any of the acting talent. Perhaps colour wasn't it's best friend here, either, as it might have looked better in monochrome - at least that might have engender some slight sense of menace, but as it is this is a disappointing B-effort with very little buzz.

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