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Violent Ends
Violent Ends

Violent Ends

20251h 52m★ 6.2スリラー犯罪ドラマ

あらすじ

No synopsis available.

予告・トレイラー

スタッフ・制作会社

監督: John-Michael Powell

脚本: John-Michael Powell

音楽: Anthony B. Willis

制作: Vincent Sieber / Alex Kim / Undīne Buka

撮影監督: Elijah Guess

制作会社: Midnight Road Entertainment / HappyBad Bungalow / Cotton Sox Entertainment

口コミ

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キャスト

ビリー・マグヌッセン
ビリー・マグヌッセン
Lucas Frost
アレクサンドラ・シップ
アレクサンドラ・シップ
Emma
Nick Stahl
Nick Stahl
Tuck Whitehead
Kate Burton
Kate Burton
Darlene Woodley
James Badge Dale
James Badge Dale
Sid Frost
Ray McKinnon
Ray McKinnon
Walt Frost
Jared Bankens
Jared Bankens
Eli Frost
Nathaniel Woolsey
Nathaniel Woolsey
Fiddle Frost
Matt Riedy
Matt Riedy
Ray Frost
Bruce McKinnon
Bruce McKinnon
Donny Frost

TMDB ユーザーのレビュー

tender_buttkiss
tender_buttkiss
★ 7

Violent Ends lives ip to its name. First bit was a bit of slow character development, letting you know who thr characters are and the world they inhabit, but then about half hour in, the movie starts amping up the action. Yes, it does have a pretty predictable ending, but the set up was worth it. All in all, a very enjoyable movie

Martin Oaks
Martin Oaks
★ 4

**Blank bullets in the Ozarks** Lucas Frost is an upstanding man trapped in the shadow of a family clan whose only legacy is drug trafficking and brutality. Desperate to build a peaceful future far from crime, he plans to marry his fiancée, Emma. However, his family plans crumble when his ex-convict cousin, Eli, commits an armed robbery gone wrong, leaving an innocent victim caught in the crossfire. Torn between his sheriff mother's warnings and an unbearable thirst for justice, Lucas turns to his stepbrother, Tuck (Nick Stahl), to hunt down the culprits. "Violent Ends" is a prime example of the narrative apathy that has become so prevalent in contemporary cinema. While we would normally have loved to enjoy a film brimming with lyrical passion in a visceral family conflict, the mediocre Powell delivers a routine and lifeless genre exercise that moves with alarming listlessness. The visually appealing presentation of the scene fails to compensate for a flat script filled with stilted dialogue built on modern crime thriller clichés (a reluctant hero with a sacrificed girlfriend as a mere catalyst against the blood feud), offering absolutely nothing original or even remotely novel. The cast, featuring character actors like James Badge Dale (as the sadistic Sid) and Ray McKinnon, is completely wasted because, foolishly, the screen time of the most compelling antagonists has been restricted, turning what could have been a tense family feud into a series of intermittent confrontations that generate no intrigue whatsoever and are utterly boring.

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