FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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ピンクパンサー
ピンクパンサー

ピンクパンサー

20061h 33m★ 5.9コメディ謎犯罪アドベンチャーファミリー

あらすじ

フランス代表チームが中国代表に勝利した直後、フランス代表を率いるイヴ・グルアン監督が何者かに殺される事件が発生する。そして混乱の中、彼が身につけていた高価なダイヤの指輪“ピンクパンサー”が消えてしまう。捜査を指揮するドレイフェス警視は、意外にもドジなクルーゾー警部を捜査に抜擢する。そうして世間の注目を彼に集中させ、自分はのびのびと捜査を進めて手柄を独り占めにしようという魂胆だったのだが…。

作品考察・見どころ

スティーヴ・マーティンの身体を張ったコメディと、唯一無二のアクセントが放つ圧倒的な存在感が本作の白眉です。彼が演じるクルーゾー警部の、一見すると無能で愚かな行動が周囲を翻弄し、奇跡的な結末へと導く様は、計算し尽くされた笑いの芸術と言えるでしょう。 ジャン・レノ演じる冷静な相棒との絶妙な掛け合いは、作品に心地よいリズムを与えています。周囲に冷笑されても己の流儀を貫く姿には、エリート主義を笑い飛ばす爽快なメッセージが込められています。洗練された色彩と軽快なテンポで描かれる、至高のナンセンス・コメディをぜひ体感してください。

興行成績

製作費: $65,000,000 (98億円)

興行収入: $158,851,357 (238億円)

推定収支: $93,851,357 (141億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

スティーヴ・マーティン
スティーヴ・マーティン
Clouseau
ジャン・レノ
ジャン・レノ
Ponton
ケヴィン・クライン
ケヴィン・クライン
Dreyfus
ビヨンセ
ビヨンセ
Xania
エミリー・モーティマー
エミリー・モーティマー
Nicole
ヘンリー・ツェニー
ヘンリー・ツェニー
Yuri
クリスティン・チェノウェス
クリスティン・チェノウェス
Cherie
Roger Rees
Roger Rees
Raymmond Laroque
Philip Goodwin
Philip Goodwin
Deputy Chief Renard
Henri Garcin
Henri Garcin
President

スタッフ・制作会社

監督: ショーン・レヴィ

脚本: レン・ブラム / マイケル・サルツマン / スティーヴ・マーティン

音楽: クリストフ・ベック

制作: Tracey Trench / Ira Shuman / Robert Simonds

撮影監督: Jonathan Brown

制作会社: Metro-Goldwyn-Mayer / Columbia Pictures / Robert Simonds Productions

TMDB ユーザーのレビュー

tricksy
tricksy

From the beginning I knew a prequel to the PINK PANTHER series would be an abomination. I did not, however, think it would be worse than I expected. I went to see the movie because I am a fan of Steve Martin and his writing. His attempt at either imitating or recreating the Clouseau role (whichever it was) was, in the very least, a failed accomplishment. The beauty of the Sellers "Clouseau" was the subtlety that Sellers brought to the character. He was clumsy as opposed to stupid. The real humor in the originals is that Clouseau would solve the case, more or less, by accident through his faults. Thus when he received acclaim it was that much more humorous. Martin's "Clouseau" is stupid and vain and has no likable traits. He actually has some police skills that help him in the end, but are not in the vain of Clouseau. He is NOT Clouseau. Why would anyone want to recreate a character that was perfect?

Filipe Manuel Neto
Filipe Manuel Neto
★ 5

**A decent film, which has what it takes to entertain us minimally, but which is still far from the quality we would like to see.** After many years dormant, the "Pink Panther" franchise was entitled to a very brief resurrection with two films starring Steve Martin. I saw the original films, from the 60s, 70s and 80s, in which Peter Sellers played the infamous Inspector Clouseau. With the death of Sellers, the franchise continued, with some absolutely bad films that dictated its end. This new film was heavily criticized by critics and was not able to give the public everything they wanted, but the truth is that it was a box office success and that, even today, it has the right to recurring exhibitions on TV channels, something that the original movies don't have it anymore. The choice of Steve Martin for the protagonist, I believe, was quite wise, insofar as the actor knew how to do a job that respects and seeks to honor the legacy of Sellers (an actor that Martin himself admitted that he admired a lot). Martin is good at what he does, and he's a well-known comic actor, but the humor he bets on is more predictable and idiotic than Sellers' humor, and the truth is, he's not particularly funny. Jean Reno was a welcome addition, as the actor is quite comfortable with the role and the kind of humor that is reserved for him. Emily Mortimer works very well as a platonic love interest. I found her much funnier than the protagonist himself. Kevin Kline doesn't work very well as Dreyfus: the actor gave him a seriousness that takes away all the fun. In turn, Beyoncé seems to have been chosen only for her physical beauty and ability to mobilize her fans to see the film. She can't play a character, she's just being herself. The screenplay is part of the problem with this film, with a far-fetched and rocambolesque story in which the pink diamond is stolen almost in plain sight, shortly after the death of its owner, a famous football coach. The story is simply weak and unappealing. And while the cinematography is decent, the filming locations are well-chosen and well-used, and the animated opening credits are pretty well done, the rest limps a lot: editing and visual effects work are the film's weak points, the pacing seems uneven and unbalanced and the soundtrack seems to be limited to a series of variations on top of the leitmotif given by the tone of Mancini's original music.

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