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Bihisht faqat baroi murdagon
Bihisht faqat baroi murdagon

Bihisht faqat baroi murdagon

20061h 35m★ 5.0ドラマ

あらすじ

No synopsis available.

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キャスト

No Image
Khurshed Golibekov
Kamal
Динара Друкарова
Динара Друкарова
Vera
No Image
Maruf Pulodzoda
Vera's husband
No Image
Djonibek Mourodov
Said Shah
No Image
Shakhnosa Khodjaeva
Amie Said Shah
No Image
Davron Alimatov
Fatkhullo Abdulloev
Fatkhullo Abdulloev
No Image
Natalia Fedotova
No Image
Khairi Burieva
No Image
Munisa Ganieva

スタッフ・制作会社

監督: Jamshed Usmonov

脚本: Jamshed Usmonov

音楽: Pierre Aviat

制作: Denis Carot / Marie Masmonteil

撮影監督: Pascal Lagriffoul

制作会社: Elzévir Films / Pandora Film / SAGA Production / Ciné Manufacture / South Bridge / MEDIA Programme of the European Union / Pusan Promotion Plan / Celluloid Dreams / Goteberg Films

TMDB ユーザーのレビュー

CRCulver
CRCulver
★ 4

<i>To Get to Heaven...</i> (2006) is a film by Jamshed Usmonov set in the director's native Tajikistan. Kamal (Khurshed Golibekov) is a young man who has recently married, but he suffers from impotence and has been unable to consummate his marriage. After three months, he visits a doctor and then undertakes to learn the art of love from some older woman in the capital. The first half of the film has him stalking various women around Dushanbe. This odyssey in an American film would probably have been portrayed in a goofy underdog fashion, but Kamal's attempts are creepy, though we do feel his pain. About halfway through the film, Kamal ends up sleeping with the wife (Dinara Drukarova) of a thug (Maruf Pulodzoda). This lowlife finds out, he doesn't mind as he had been separated from his wife for some time anyway, and takes Kamal under his wing as they burgle their way around town. After witnessing the full extent of his partner's brutality, Kamal turns on him in a bloody fashion, which happens to cure his sexual dysfunction. All in all, I can't recommend <i>To Get to Heaven</i> to general audiences. This isn't the first film I've seen by a young director that begins in one way and then transitions too suddenly into mobsters and violence. Yes, I get the Oedipal allusions and the probing of the male psyche, but the plot arc chosen for this study just screams "immature scriptwriter". The cinematography is also unimaginative. I could compliment only two aspects, which will probably only interest a rather niche audience. I was bound for Tajikistan in less than a week as I watched this, and there are few internationally available films from the country, so I guess <i>To Get to Heaven</i> was useful as a glimpse of Tajikistan. The acting by Drukarova and Pulodzoda was competent, and perhaps the same could be said for Golibekov if the character he portrays weren't too cringingly awkward to really appreciate.

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