“ヒトの世紀が 終わろうとしている。”
カリスマ的な統率力を誇る猿のシーザーが、仲間を率いて人類への反乱を起こしてから10年後。遺伝子の進化、知能と言語の獲得により猿たちはさらに進化を遂げ、独自の文明を形成、森の奥に平和なコミュニティを築いていた。一方、10年前に自らが生み出したウイルスにより人類は90％が死に追いやられ、僅かな生存者グループは、荒廃した都市部の一角に身を潜め、希望なき日々を過ごしている。そんなある日、人間たちが資源を求めて森に足を踏み入れたことから、猿たちとの間に危うい緊張が走る。
製作費: $170,000,000 (255億円)
興行収入: $710,644,566 (1066億円)
推定収支: $540,644,566 (811億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: マット・リーヴス
脚本: アマンダ・シルヴァー / マーク・ボンバック / リック・ジャッファ
音楽: マイケル・ジアッチーノ
制作: ピーター・チャーニン / Dylan Clark / リック・ジャッファ
撮影監督: Michael Seresin
制作会社: TSG Entertainment / Chernin Entertainment / Ingenious Media / 20th Century Fox
Very epic movie, strong storyline and also stunning graphics.. This is very recommended movie to watch with entire family.
The story may not be the most original, with its Shakespearean turn overs, but it is well shaped and Serkis performance is remarkable. The animation of the apes, which was already superb in the previous movie, finally reaches a level in which you can believe they are more real than the human actors. Maybe a bit too long, but a good time for a not totally dumb movie.
Following the outbreak of "Simian Flu" that has all but wiped out human civilisation, an exploration into the jungle to inspect the remnants of an old dam introduces "Malcolm" (Jason Clarke) - rather aggressively - to the apes that occupy the woods. "Caesar" (Andy Serkis) is their leader, and keen to ensure a peace so he makes it clear that each should stick to their own territory, and leave each other be. It seems the folks need the dam, though, and after a bit of toing and froing, they manage to convince the apes to allow them to try to make the dynamos work - before what's left of their city runs out of power. This uneasy truce has opponents on both sides, but it's the scheming "Koba" (Toby Kebbell) who finally takes a step that ensures that war cannot be avoided. Which will win out in the end? Will either side actually win at all? Matt Reeves plays his cards really well here. He manages the sense of menace between the two parties with an expert hand, allowing the initial feelings of partnership and hope that turn into fear, betrayal and malevolence to enthral us. The characterisations - especially amongst those long fed up of living at the whim of humanity - deliver effectively too. "Koba" exudes an almost evil persona, an unscrupulousness and ruthlessness that would make the original Caesar blush. The photography is cleverly directed using the ruined urban and similarly dense forest scenarios to add richness and peril to the pyrotechnics, the superbly authentic looking visual effects and the general look of violence and chaos that descends as the film reaches what is clearly just the end of part one. It's a solid, characterful, story that isn't necessarily an improvement on the originals, but is certainly a strong and worthy successor.
