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プレシディオの男たち
プレシディオの男たち

プレシディオの男たち

19881h 37m★ 5.8アクション犯罪謎スリラー

あらすじ

サンフランシスコの米軍基地プレシディオで起こった殺人事件。事件解決に向け軍と市警察が協力体制で臨むのだが、そのコンビが問題で……。ショーン・コネリー演じる中佐の娘役はブレイク直前のメグ・ライアン。

作品考察・見どころ

ショーン・コネリーの重厚な風格とマーク・ハーモンの鋭利なエネルギーが火花を散らす、新旧の正義が激突する様こそが本作の最大の魅力です。軍と警察という異なる組織の論理が、かつての師弟関係や愛憎を介して複雑に絡み合う構成は、単なる犯罪スリラーに留まらない深い人間ドラマを構築しています。 ピーター・ハイアムズ監督による、光と影を強調したソリッドな映像美が、歴史あるプレシディオ基地の特異な空気を鮮烈に描き出します。組織の規律と個人の信念の間で揺れ動く男たちの矜持は、時代を超えて観る者の胸を熱くさせます。洗練された演出と情感豊かな演技が織りなす、大人のためのエンターテインメントの真髄をぜひ体感してください。

興行成績

興行収入: $20,324,096 (30億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ショーン・コネリー
ショーン・コネリー
Lt. Col. Alan Caldwell
マーク・ハーモン
マーク・ハーモン
Jay Austin
メグ・ライアン
メグ・ライアン
Donna Caldwell
ジャック・ウォーデン
ジャック・ウォーデン
Sgt. Maj. Ross Maclure
Mark Blum
Mark Blum
Arthur Peale
Dana Gladstone
Dana Gladstone
Col. Paul Lawrence
ジェニット・ゴールドスタイン
ジェニット・ゴールドスタイン
Patti Jean Lynch
No Image
Marvin J. McIntyre
MP Zeke
Don Calfa
Don Calfa
Howard Buckely
John DiSanti
John DiSanti
Det. Marvin Powell

スタッフ・制作会社

監督: ピーター・ハイアムズ

脚本: Larry Ferguson

音楽: Bruce Broughton

制作: D. Constantine Conte / Jonathan A. Zimbert

撮影監督: ピーター・ハイアムズ

制作会社: Paramount Pictures

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 5

Mark Harmon is "Jay", a former military policeman turned cop who is called upon to investigate a series of murders that reintroduce him to his former CO "Col. Caldwell" (Sean Connery) with whom he doesn't especially get along. It doesn't help when he starts to date the colonel's independently minded daughter "Donna" (Meg Ryan) but can they put their differences aside long enough to find out what's going on and stop any more killings? Well, of course they can - this film has precisely no jeopardy at all. Though the motive for the crimes remains a mystery for a while, the rest of this follows a well travelled line that is disappointingly predictable. Harmon is never a particularly strong or convincing actor, Connery - and his traditional, wry, smile - clearly just wanted his fee and not for the first time Meg Ryan adds very little as this plods along. It's watchable on the television over a glass or two, but it's all very unremarkable.

GenerationofSwine
GenerationofSwine
★ 10

Occasionally my mother would really get into a movie, choose a quote as a favorite, and then repeat it constantly in a cartoonish exaggeration of whoever said it in the film. The Persidio is one of those films she latched onto, and for years after we were subjected to her Sean Connery impression as she threatened to beat us up using only her thumb. So now every time I see it, heck, every time I'm in Frisco, that is the quote that gets stuck in my head for days after. But, in her defense, it was a very good scene and actually does deserve to be remembered and quoted more. It's my go to Sean Connery impression... when I'm not impersonating Johnny Lee Miller impersonating Sean Connery. Or the Untouchables, but I kind of feel that one is over used. Everyone goes there when they do Connery. Or, you know, I could just live in Chicago. Maybe the rest of the country and the world just does James Bond. The point is, you have a quotable Sean Connery scene. And that alone is worth it. And you have the San Francisco chase scene, and I really hate Frisco, but I do really love movies that are set there and any chase through San Francisco streets is fun if for no other reason than it makes you instantly think of Bullet. The multi-jurisdictional cliche thing is here, and tragically underused in a lot of movies. But you get a good dynamic of military and civilian cop bumping heads with one another. It's a situation that is made worse by bad blood and a bit of history, and then made even worse by a blooming romantic interest. And it's the 80s, so you know that the romantic interest is going to be Meg Ryan, no spoiler there. And all of that with an actual compelling case that the two cops have to solve. It's kind of all over the place, but in the best possible 80s cliche kind of way.

kevin2019
kevin2019
★ 5

"The Presidio" is an interesting diversion that has an immediately intriguing and literally explosive opening gambit which is eye catching and it easily grabs your full attention, but then the pace quickly eases up out of pure necessity and the murder of Patti Jean Lynch loses all sense of urgency and it is eventually relegated to becoming a secondary consideration as the main focus of the film now concentrates upon the complex and argumentative character dynamics of Lieutenant Colonel Caldwell, his daughter Donna, and Inspector Jay Austin although all of this is nicely juxtaposed with the ongoing murder investigation. However, this film is much too pedestrian for the talented cast involved, but at least the action sequences are superb and the pace is extremely well maintained throughout.

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