FindKey

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Red Road
Red Road

Red Road

20061h 53m★ 6.5ドラマスリラー

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

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興行成績

興行収入: $1,128,345 (2億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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キャスト

Kate Dickie
Kate Dickie
Jackie
Tony Curran
Tony Curran
Clyde Henderson
Martin Compston
Martin Compston
Stevie
Natalie Press
Natalie Press
April
Paul Higgins
Paul Higgins
Avery
No Image
John Comerford
Man with Dog
No Image
Andrew Armour
Alfred
No Image
Carolyn Calder
Cleaner
No Image
Martin McCardie
Angus
No Image
Jessica Angus
Bronwyn

スタッフ・制作会社

監督: Andrea Arnold

脚本: Anders Thomas Jensen / Andrea Arnold / Lone Scherfig

音楽: Glenn Gregory

制作: Carrie Comerford / シーセ・グラウム・ヨルゲンセン / Paul Trijbits

撮影監督: ロビー・ライアン

制作会社: Sigma Films / Zentropa Entertainments / UK Film Council / Glasgow Film Office / Scottish Screen / BBC Film / Zoma Films / Verve Pictures

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

"Jackie" (Kate Dickie) has a job supervising an array of CCTV cameras monitoring the city overnight. It's pretty dull work watching the drunks go home, or keeping an eye out for the opportunistic criminals who share Glasgow's streets during the wee small hours with the foxes that scavenge the waste ground. One morning, she espies a couple in flagrante delicto up against the wall of the Jet garage and she thinks she recognises the man. A bit more investigation and she discovers that this is, indeed, "Clyde" (Tony Curran). She becomes more and more obsessed with this man, and swiftly we appreciate that she has some unfinished business with him. She develops quite a cunning plan and sets about implementing a sting operation with quite a devious twist - one that she hopes will offer her some closure and a degree of retribution for his actions past. Gradually we become aware of just what did happen, but the presentation avoids making it a simple good v. evil style story, but actually one as much about redemption and maybe even forgiveness. Dickie holds it together well enough but maybe she's left to do a bit too much of the heavy lifting as neither Curran nor Martin Compston's "Stevie" do very much to add any depth to a screenplay or characterisation that does take it's time to get going. True, that might illustrate a little of the mundanity of her job, but that's no reason to impose that on an audience keen to establish just who's who to whom. There is some fairly graphic sex, but it's not prurient - it's all part of the natural evolution of her plan within a bigger plan - and that works effectively. It also makes you realise that it's not that hard to concoct a story plausible to many that's a complete work of well orchestrated fiction too. Shave twenty minutes from it and focus more on the two principals - and their backstory - and it'd be better, as it is, though, it's still a dark and watchable look at boundaries, lies and revenge.

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