FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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誓い
誓い

誓い

“友よ。青春をともに全力疾走したかった。”

19811h 51m★ 7.1戦争履歴ドラマ

あらすじ

No synopsis available.

作品考察・見どころ

ピーター・ウィアー監督が描くのは、若者の躍動と砂漠の静寂が織りなす圧倒的な映像美です。哀切な旋律が響く中、死線を疾走する若き日のメル・ギブソンらの姿は魂を揺さぶります。純粋な友情が時代の奔流に呑み込まれる、美しくも残酷な対比こそが本作の本質的な魅力です。 走るという純粋な希望が、戦場の不条理によって絶望へと変容する演出は映画史に残る白眉です。ラストの静止画が突きつける強烈なメッセージは、数十年を経ても決して色褪せません。極限状況で人間性の尊厳を問いかける本作は、単なる戦争映画を超え、命の輝きを鮮烈に刻む至高の傑作です。

興行成績

製作費: $2,600,000 (4億円)

興行収入: $17,400,000 (26億円)

推定収支: $14,800,000 (22億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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予告・トレイラー

キャスト

メル・ギブソン
メル・ギブソン
Frank Dunne
Mark Lee
Mark Lee
Archy Hamilton
Bill Kerr
Bill Kerr
Jack
Harold Hopkins
Harold Hopkins
Les McCann
No Image
Charles Lathalu Yunipingu
Zac
Heath Harris
Heath Harris
Stockman
No Image
Ron Graham
Wallace Hamilton
Gerda Nicolson
Gerda Nicolson
Rose Hamilton
Robert Grubb
Robert Grubb
Billy
Tim McKenzie
Tim McKenzie
Barney

スタッフ・制作会社

監督: ピーター・ウィアー

脚本: Ernest Raymond / ピーター・ウィアー / David Williamson

音楽: Brian May / Tommaso Albinoni

制作: Robert Stigwood / Patricia Lovell / Francis O'Brien

撮影監督: Russell Boyd

制作会社: R & R Films / Australian Film Commission

TMDB ユーザーのレビュー

Filipe Manuel Neto
Filipe Manuel Neto
★ 8

**Australia was “born” in Turkey.** This is a very interesting film that addresses Australia and New Zealand's joint participation in the First World War. Both countries had recently gained independence from the United Kingdom, there was no real sense of national identity and, despite the proximity of German colonies in Papua New Guinea and the Solomon Islands, there were many Australians who did not want to go to the war alongside the British. It was the English's war, not theirs. The same thing was felt in my country, Portugal, the United Kingdom's oldest ally, but which only entered the First World War in 1916, against the wishes of the English. Portuguese politicians saw the war as a means of giving international prestige to a young and discredited republican regime, and of securing Portuguese sovereignty in Africa and India. Despite having no relationship with each other, the journey of Australians and Portuguese in the First World War had the same end: the CEP, the Portuguese military brigade, was decimated in France, in 1918, in the greatest defeat in the multi-century history of the Portuguese Army; ANZAC almost completely lost itself in the Dardanelles, in the face of the obstinate Turkish defense commanded by Mustafa Kemal, who knew well the terrain and foresaw what the Allies were going to try. Historical considerations aside, the film does not focus on military action or what happened in the unsuccessful Battle of the Dardanelles. We are taken there by the beautiful friendship between two young Australian athletes with a lot of potential, who enlist in ANZAC (one of them even had to lie because he was too young). I don't know exactly what they expected to do, nor if they did considered the possibility of not returning home alive. I think, as often happens, they wanted to enlist because all the other boys did it so. The script doesn't explore this as it could, and perhaps one of the film's weaknesses is the lack of this emotional and mental depth in decisive moments. I also missed a greater effort at contextualization: anyone who doesn't understand history may not know exactly what that battle was about. On a technical level, the film stands out for its excellent cinematography, scenery and costumes, and a reconstruction of the period that, overall, works satisfactorily. Of course, it's not technically perfect. For example, in combat scenes there is a great lack of visual and special effects that add intensity to the action, resulting in battles that are not exactly exciting to watch on the big screen. There is also a serious lack of blood here. I'm not a fan of gore or the most visually shocking effects, but stop and think with me: it's a battle, it's war. There are dead, there are injured, there are mutilated, there are screaming people lying on the ground in agony, waiting for their own death and asking for help. The film doesn't show us the raw reality of combat, perhaps to allow for a lower parental rating, which I understand, but honestly don't approve of. Although the film has a larger cast, naturally, the truth is that the two protagonists, Mel Gibson and Mark Lee, absolutely dominate all the action. It's worth paying attention to the work of the two actors: Gibson still didn't have the stellar status he achieved in Hollywood, and his modesty suited him well. He was a young actor, but he already had the talent that characterizes him, and a friendly smile, a charisma that makes his character pleasant and worthy of empathy. Lee is more important in the script, but he doesn't have the strength and presence of his colleague. He's good, but more discreet and less charismatic. It may have been this, in fact, that didn't help him advance his acting career. The film also features positive appearances by Bill Kerr in a short but significant role.

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