FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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ザ・ブライド!
ザ・ブライド!

ザ・ブライド!

20262h 6m★ 6.3サイエンスフィクションホラーファンタジー

あらすじ

No synopsis available.

作品考察・見どころ

豪華キャストが集結した本作は、単なる既存のジャンルに収まらない、魂の解放と自己再定義を鮮烈に描く意欲作です。ジェシー・バックリーが放つ圧倒的な生命力と、クリスチャン・ベールが見せる変幻自在な身体表現の衝突は、観る者の既成概念を粉々に打ち砕きます。美しさとグロテスクさが同居する独創的な色彩設計は、スクリーンを越えて観客の感性を激しく揺さぶり続けるでしょう。 社会的な役割を脱ぎ捨て、一人の「個」として覚醒していく過程は、痛快でありながら深い哀愁を湛えています。マギー・ギレンホール監督による鋭利かつ慈愛に満ちた視点は、孤独な存在たちが共鳴し合う瞬間の輝きを冷徹なまでに見事に捉えました。現代社会に生きる我々へ贈られた、パンキッシュな反逆精神と気高い人間賛歌の融合を、ぜひその目で目撃してください。

興行成績

製作費: $80,000,000 (120億円)

興行収入: $23,243,018 (35億円)

推定収支: $-56,756,982 (-85億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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劇場情報

2026年4月3日 公開予定です。

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予告・トレイラー

キャスト

ジェシー・バックリー
ジェシー・バックリー
Ida Bolinski / The Bride / Mary Shelley
クリスチャン・ベール
クリスチャン・ベール
Frankenstein's Monster / 'Frank'
ピーター・サースガード
ピーター・サースガード
Jake Wiles
アネット・ベニング
アネット・ベニング
Dr. Cornelia Euphronius
ジェイク・ジレンホール
ジェイク・ジレンホール
Ronnie Reed
ペネロペ・クルス
ペネロペ・クルス
Myrna Malloy
John Magaro
John Magaro
Clyde
マシュー・マー
マシュー・マー
James
Jeannie Berlin
Jeannie Berlin
Greta
ズラッコ・ブリッチ
ズラッコ・ブリッチ
Lupino

スタッフ・制作会社

監督: Maggie Gyllenhaal

脚本: Maggie Gyllenhaal / メアリー・シェリー

音楽: Hildur Guðnadóttir

制作: Courtney Kivowitz / Emma Tillinger Koskoff / Carla Raij

撮影監督: Lawrence Sher

制作会社: First Love Films / Warner Bros. Pictures / In The Current Company / Domain Entertainment

TMDB ユーザーのレビュー

Manuel São Bento
Manuel São Bento
★ 8

Full review: https://fandomwire.com/the-bride-review/ Rating: A- "The Bride! establishes itself as one of the year's most unique experiences, where Maggie Gyllenhaal's bold vision and a vibrant punk-rock aesthetic are anchored by the visceral performances of Jessie Buckley and Christian Bale. Encompassed in Hildur Guðnadóttir's somber score, the movie transforms gothic horror into a profound reflection on loneliness and the search for identity. It's a triumph of audacity that places autonomy at the center of a classic myth, challenging us to embrace our own imperfections. It'll certainly be one of the most striking films of the year, becoming the "movie to beat" from here on out."

Chris Sawin
Chris Sawin
★ 2

Maggie Gyllenhaal is going for something here, but the problem is that The Bride! has far too many things going on at once and never capitalizes on any of them; even the romance isn’t constant. The idea of these two born-again corpses having nothing together is this half-baked idea drowned out by Frank’s sobbing dick and the bride constantly reminding everyone with a pair of eyes and working ears that she’s an entitled, calamitous shrew. The Bride! is a two-hour hodgepodge of dancing, movie-obsessed nonsense. Full review: https://www.giantfreakinrobot.com/ent/horror/the-bride-review.html

CinemaSerf
CinemaSerf
★ 6

Despite the best efforts of the pyromaniacs the creation of “Dr. Frankenstein” (Christian Bale) has survived, and now over a century later is a bit horny. Determined to find himself a companion, he visits the Chicago laboratory of “Dr. Euphronious” (Annette Bening) with his request. Well, it ends up being more of a demand really and so she reluctantly agrees to indulge in a bit of body snatching/reinvigorating. Their corpse? Well we’ve already met “Ida” (Jessie Buckley) before her demise and, personally, I felt death might have been the best thing that could have happened to this vulgar, brash and loud-mouthed creature. Revitalised, she and her new beau “Frankie” set off on some adventures around the city that start to fill in some blanks about both of their lives; involve a gangster kingpin and a dashing Hollywood movie star (Jake Gyllenhaal) upon whom he is fixated. The cops are never far away, especially as their escapades result in even more dead bodies - including a cop or two, so detective “Wiles” (Peter Skarsgaard) and his secretary “Malloy” (Penélope Cruz) are on soon their case and things take a turn for the Bonnie and Clyde. Now, there’s no denying that Buckley, especially, puts her heart and soul into her lively performance here, but I found the characterisation so un-engaging that after about half an hour of the relentlessly paced dialogue accompanying the borderline slapstick comedy I had lost interest. It takes far too long to get up and running and though it’s a grand looking production the thing just never got out of second gear as it quite literally lurched along for a long old two hours. Cruz plays as if she really wanted to be in - or maybe even thought this was - a very wordy “Dick Tracey” movie, and I found that both leading performers seemed more determined to impress us watching rather than present us with anything like a real love story. I suppose the very nature of the science behind this will allow for a sequel, but I think I will just stick with my James Whale collection instead.

moscaman
moscaman

This was visually incredible and appreciating it requires a deep focus - homages abound. The Bride's word salad spewings are super important, and if you pay attention, fill in many of the plot details that other movies will spoon feed their audience. Some things did not make sense when I first heard them, but as I think about the movie, they are gradually snapping into place. The visuals were really interesting and worked well in Imax. The Imax sound in the theater I was in, was not the quality I expected, but this was the theater's fault, not the movie's. I will watch it again because I feel that there are many more word puzzles to be solved.

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