Franz
あらすじ
No synopsis available.
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $6,500,000 (10億円)
興行収入: $721,048 (1億円)
推定収支: $-5,778,952 (-9億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $6,500,000 (10億円)
興行収入: $721,048 (1億円)
推定収支: $-5,778,952 (-9億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
脚本: Marek Epstein
音楽: Mary Komasa / Antoni Komasa-Łazarkiewicz
制作: Kevan Van Thompson / Daniel Bergmann / Mike Downey
撮影監督: Tomasz Naumiuk
制作会社: Marlene Film Production / X Filme Creative Pool / Metro Films / Telewizja Polska / Česká televize / CANAL+ Polska / Barrandov Studio / Czech Anglo Pictures / NeoSynCon / Bac Films / ZDF / ARTE
Franz is a restless, jagged attempt to film Kafka from the inside out, and it only half succeeds. Agnieszka Holland rejects the safe, linear biopic for a collage of timelines, direct-to-camera addresses, and crash zooms that oscillate between inspired and self-indulgent. Idan Weiss gives a sharply nervy Kafka, twitching between embarrassment, curiosity, and dread, and the film shines whenever it simply watches him navigate family, lovers, and the suffocating bureaucracy he'd later weaponize on the page. Franz is a restless, jagged attempt to film Kafka from the inside out, and it only half succeeds. Agnieszka Holland rejects the safe, linear biopic for a collage of timelines, direct‑to‑camera addresses, and crash zooms that oscillate between inspired and self‑indulgent. Idan Weiss gives a sharply nervy Kafka, twitching between embarrassment, curiosity, and dread, and the film shines whenever it simply watches him navigate family, lovers, and the suffocating bureaucracy he'd later weaponize on the page. The problem is volume: so many stylistic ideas compete that the whole thing starts to feel like a museum installation about Kafka rather than a lived experience of the man. Some viewers will find this "punk Gen Z Kafka" energy exhilarating; others will see only visual noise and strained profundity. Franz isn't the definitive Kafka film, but it is a provocative one: messy, uneven, occasionally brilliant, and more interested in how we consume Kafka today than in telling us who he "really" was.
