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Dallas
Dallas

Dallas

19501h 34m★ 6.5西洋

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

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原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

スタッフ・制作会社

監督: Stuart Heisler

脚本: John Twist

音楽: Max Steiner

制作: Anthony Veiller

撮影監督: Ernest Haller

制作会社: Warner Bros. Pictures

口コミ

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キャスト

ゲイリー・クーパー
ゲイリー・クーパー
Blayde "Reb" Hollister
Ruth Roman
Ruth Roman
Tonia Robles
Steve Cochran
Steve Cochran
Bryant Marlow
レイモンド・マッセイ
レイモンド・マッセイ
Will Marlow
Barbara Payton
Barbara Payton
Flo
リーフ・エリクソン
リーフ・エリクソン
U.S. Marshal Martin Weatherby
Antonio Moreno
Antonio Moreno
Don Felipe Robles
Jerome Cowan
Jerome Cowan
Matt Coulter
Reed Hadley
Reed Hadley
Wild Bill Hickok
No Image
Gil Donaldson
Luis Robles

TMDB ユーザーのレビュー

John Chard
John Chard
★ 7

The Reb and the Blue Belly come to town. Dallas stars Gary Cooper, Ruth Roman, Steve Cochran, Barbara Payton & Raymond Massey. It's directed by Stuart Heisler, photography is from Ernest Haller & pen duties fell to John Twist. Produced out of Warner Brothers, Dallas is vividly filmed in Technicolor out of the Iverson & Warner ranches in California. Very much a film with its tongue firmly in cheek, the film is a throwback to the Westerns of yore that exist without pretensions or deep penetrative meanings. The plot sees Cooper's Civil War renegade, Blayde "Reb" Hollister, fake his own death so as to kill off his reputation and to free himself for the pursuit into Dallas of the brothers who massacred his family. In essence a routine plot, Twist's story is perked up along the way by many a fun and exciting diversion. There's role reversals, dandy fashions, horseback pursuits, shoot outs, a love triangle, vigorous dialogue and deft little twists to keep the piece purely from painting it by numbers. Cooper seems to be enjoying himself too, which further enhances the feel good factor on offer. It's true he isn't really asked to do anything more than be a laconic dude on a mission. But when called on for action duties, he delivers the goods that his fans have come to expect during his successful career. The villains entertain (particularly Steve Cochran's vile and dopey Bryant Marlow) because each have their own little peccadilloes to keep them from over familiar blandness. The two ladies of the piece look gorgeous and hold up well in amongst the machismo, while the high production value allows Haller to really treat the eyes with the lush Technicolor and involving camera work around the locations. It has ideals to being an "A" list Oater does Dallas, something it just can't quite attain. But it's not for lack of trying and the end result is one of pure entertainment, that, in truth, should be enjoyed on a cold winters day when the viewer needs a pick me up. 7/10

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